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		<title>Subliminal Advertising: Hidden Conveyor of Messages</title>
		<link>https://fountainmagazine.com/all-issues/2020/issue-134-mar-apr-2020/subliminal-advertising-hidden-conveyor-of-messages/</link>
		
		<dc:creator><![CDATA[The Fountain]]></dc:creator>
		<pubDate>Sun, 01 Mar 2020 17:26:46 +0000</pubDate>
				<category><![CDATA[Issue 134 (Mar - Apr 2020)]]></category>
		<category><![CDATA[ads]]></category>
		<category><![CDATA[advertising]]></category>
		<category><![CDATA[agencies]]></category>
		<category><![CDATA[Arts and Culture]]></category>
		<category><![CDATA[days]]></category>
		<category><![CDATA[drink]]></category>
		<category><![CDATA[frame]]></category>
		<category><![CDATA[frames]]></category>
		<category><![CDATA[hidden]]></category>
		<category><![CDATA[logo]]></category>
		<category><![CDATA[logos]]></category>
		<category><![CDATA[means]]></category>
		<category><![CDATA[messages]]></category>
		<category><![CDATA[mind]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[practice]]></category>
		<category><![CDATA[producer]]></category>
		<category><![CDATA[product]]></category>
		<category><![CDATA[products]]></category>
		<category><![CDATA[seconds]]></category>
		<category><![CDATA[subliminal]]></category>
		<guid isPermaLink="false">http://107.21.79.195/all-issues/2020/issue-134-mar-apr-2020/subliminal-advertising-hidden-conveyor-of-messages/</guid>

					<description><![CDATA[Advertising is an age-old concept of conveying the messages to the people. In prehistoric days, people used to write with chalk, which was available in plenty, in their own languages the messages they wanted to propagate on the walls of the caves or on tree trunks. While doing excavations in Pompeii, signs and evidence were [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img fetchpriority="high" decoding="async" class=" size-full wp-image-6837" src="https://fountainmagazine.com/wp-content/uploads/2020/03/11-1d0.png" alt="Subliminal Advertising: Hidden Conveyor of Messages" width="1920" height="1200" srcset="https://fountainmagazine.com/wp-content/uploads/2020/03/11-1d0.png 1920w, https://fountainmagazine.com/wp-content/uploads/2020/03/11-1d0-300x188.png 300w, https://fountainmagazine.com/wp-content/uploads/2020/03/11-1d0-1024x640.png 1024w, https://fountainmagazine.com/wp-content/uploads/2020/03/11-1d0-768x480.png 768w, https://fountainmagazine.com/wp-content/uploads/2020/03/11-1d0-1536x960.png 1536w" sizes="(max-width: 1920px) 100vw, 1920px" /></p>
<p>Advertising is an age-old concept of conveying the messages to the people. In prehistoric days, people used to write with chalk, which was available in plenty, in their own languages the messages they wanted to propagate on the walls of the caves or on tree trunks. While doing excavations in Pompeii, signs and evidence were found that services and goods were advertised as early as in 79 A.D.</p>
<p>Later, Egyptians wrote the messages and drew images on papyrus. When paper and printing press were invented, advertising became popular, first in Great Britain, then in other countries. Illustrated ads were placed in newspapers and magazines. Products like Pears soap, Woodbury’s Facial soap, Michelin Tires and Encyclopedia Britannica were among the first to advertise. Advertising companies like J. Walter Thomson, Ogilvy, Leo Burnett, Volney Palmer and N.W. Ayer were among the pioneers, responsible for creating ads and getting them placed in newspapers and magazines. J. Walter Thomson was however the first to expand internationally.</p>
<p>Today, we live in the world of advertising. Nothing sells without advertising; may it be a product or service. It is a well-known fact that you need to create an awareness of the product you want to sale, then promote it through means of advertising; hence the importance of advertising cannot be denied. That is why ad agencies are flourishing and their clients are spending millions of dollars to promote their products or services. Ads should be clever and to the point. Yet, many advertisers rely on belittling the competitors’ products which results in a big confusion in the minds of consumers.</p>
<p>David Ogilvy, the guru of advertising, said that ‘a good advertisement is one which sells the product without drawing the attention to itself.’. One wonders how many ads these days conform to this belief. The Chief Executive of one the agencies where I used to work way back in Pakistan had a motto framed behind his desk. It read: <em>Advertising is supposed to be impactful and clever without being overpowering. In short, be subtle.</em></p>
<p>There are various outlets where the ads are placed. Generally, your product is promoted through TV, Radio and social media, newspapers and magazines, billboards and brochures and your product gets consumers’ awareness and impulse to buy. This is the common practice, yet there is another means to advertise. It is called subliminal advertising, and it has been found that this means alone can soar the sale of your product. Only few clients and advertisers know and realize the positive effect such advertising would produce. Others simply do not believe in its efficacy and consider it a fallacy.</p>
<h3>Subliminal Advertising</h3>
<p>Subliminal advertising is described as the use of images, logos and sounds to influence consumers’ responses without being conscious of it. A subliminal message passes below the normal perception. It might be inaudible to the conscious mind, but audible to the subconscious mind, because it is a brief flash of the product, escaping the conscious level of mind but getting stored in the subconscious mind, so that when a consumer goes to the market and sees the product along with other products, he is inclined to buy the product subliminally advertised.  They are ‘hidden persuaders’ – as said by Vance Packard in his book,’ Hidden Persuaders’ which was published in 1957. There are various ways to do it:</p>
<h3>Single Frame Effect</h3>
<p>This was often practiced in the days when movies were processed by 35 mm cameras. It involves the insertion of ‘hidden’ messages into movies or TV programs. The concept ‘moving pictures’ relies on persistence of vision to create movement in a series of images projected at 25 frames per second. A single frame of the ad is then inserted after every 25 frames on the editing table. The hidden command in a single frame flashes across the screen so quickly that it is not perceived consciously but is registered in the subconscious mind.</p>
<p>As mentioned in QUORA journal, an experiment was conducted by James Vicari, a marketing researcher and psychologist, in 1957 when a popular movie PICNIC was released. Every five seconds the words, <em>Hungry? Eat popcorns. Drink Coca-Cola, </em>were projected for 0.003 seconds. The sales of popcorn and Coke in that New Jersey theater increased by 57.8 percent and 18.1 percent respectively.  </p>
<p>In the early seventies, we, at an advertising agency where I worked, made a similar experiment. In the cinema house where one of our client’s products was advertised subliminally through the screening of the movie, I stood near a concession stand. During the interval – in those days we had intervals of 10 to 15 minutes – a good number of moviegoers were seen to buy that soft drink.</p>
<p>You may think that this is a very easy and economical way of advertising. No, it is not. It took a series of meetings with the client to convince him about this method of promotion. The client eventually agreed, but still seemed doubtful. Then we had to approach the movie producer who was shooting a blockbuster movie with famous stars. After being assured that it would not make any difference in projection, and paying him the agreed amount, he consented. When the movie was shot and ready for editing, I went to see the editor to get the frames of our product inserted after every 25 frames of the movie. The editor simply shook his head and said that it was just an experience in futility, but he had to do it, because the producer asked him to do that. It took him two weeks to complete the editing. I met him again and saw that the one frame of the product was inserted after every 25 seconds in the master print of the movie. I was happy to learn that and took the editor, who had by now become a good friend, for a lunch at a Chinese restaurant on my expense account.</p>
<p>The client later reported that the sale of his soft drink had increased by thirty-five per cent.</p>
<p>This form of subliminal advertising was gaining grounds and proving to be an effective vehicle for promoting products. This became a matter of concern for public relations officials and some advertising agencies, probably because they feared that budgets for regular advertising on TV and press would plummet, resulting in lesser profit. They argued that such a way of promotion is ineffective, counter-productive and unethical since it invaded the minds of the people without their consent. The other school of thoughts pleaded that it is not the only way that does that, there are many happenings in everyday life that do so, and on which we do not have any control.</p>
<p>In USA, Federal Communications Commission took up the matter, held several hearings and declared that subliminal advertising is contrary to public interest, because it involved ‘intentional deception’.</p>
<p>Terry Lane in CHRON journal reported, ‘While the US Congress has never passed a law restricting subliminal advertising, government agencies have said that the practice is unfair and could result in enforcements, especially for broadcast stations.’</p>
<p>Since then this form of advertising gradually decreased. It may still be in existence, but countries like Australia, U.K. and Canada have banned it. Other forms of subliminal advertising, like product-placement and hidden messages through logos are very much in practice throughout the world.</p>
<h3>Product placement</h3>
<p>A highly popular technique is product placement. Here again you need a movie producer or a TV show producer. Subject to his consent and agreed payment, a can or a box of food products such as cereal, jam, jelly, butter or a soft drink is strategically placed on a dining table – or any other place &#8211; at a home. When the scene of a family dinner is shot, the product is placed on the table in such a manner that it is quite visible. It is flashed for only a few seconds, and the message is delivered.</p>
<p>Products or services are also promoted when a character drives a car and it passes through a street where there is a billboard or a store front where it is displayed. The camera briefly focuses on it while the car is passing by.</p>
<p>An unethical and detrimental trend is now prevalent in our movies and TV dramas and shows. The hero or another important character is shown smoking a cigarette or a cigar leisurely and enjoying the puffs, while at the bottom of the screen you read a sign ‘smoking is injurious to health’. This is a subliminal advertising for tobacco smoking, and one is sure that some tobacco companies must be paying the producers or channels to promote this habit among viewers, especially youngsters. The tobacco companies have to rely on such a means for advertising, because they are not allowed to advertise directly through electronic or print media or through billboards. Authorities should take note of this and take proper action to stop such a practice.</p>
<h3>Meaning of logos</h3>
<p>Logo is an intelligent way of subliminal advertising. Let us look at some logos:</p>
<ul>
<li><em>amazon.com. Did</em> you find a hidden message? Observe carefully. There is a curved line connecting <em>a </em>and <em>z, meaning</em> that everything from A to Z is available on this online store.</li>
<li>Logo of FedEx shows an arrow in white space, an indication of the company’s speed and ability to deliver.</li>
<li>In the current TOSTITOS logo, can you see two friends sharing chips and salsa?</li>
<li>In the SONY VAIO logo, the design of the word <em>Vaio</em> shows the symbol of analogue and digital that defines the two worlds in which the brand works.</li>
</ul>
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		<item>
		<title>Science Square</title>
		<link>https://fountainmagazine.com/all-issues/2010/issue-74-march-april-2010/science-square/</link>
		
		<dc:creator><![CDATA[The Fountain]]></dc:creator>
		<pubDate>Mon, 01 Mar 2010 00:00:00 +0000</pubDate>
				<category><![CDATA[Issue 74 (March - April 2010)]]></category>
		<category><![CDATA[adab]]></category>
		<category><![CDATA[conduct]]></category>
		<category><![CDATA[crisis]]></category>
		<category><![CDATA[Editorial]]></category>
		<category><![CDATA[frame]]></category>
		<category><![CDATA[issue]]></category>
		<category><![CDATA[literature]]></category>
		<category><![CDATA[modern]]></category>
		<category><![CDATA[polkinghorne]]></category>
		<category><![CDATA[Science]]></category>
		<category><![CDATA[scientific]]></category>
		<category><![CDATA[square]]></category>
		<category><![CDATA[tucker]]></category>
		<category><![CDATA[universe]]></category>
		<category><![CDATA[word]]></category>
		<guid isPermaLink="false">http://107.21.79.195/all-issues/2010/issue-74-march-april-2010/science-square/</guid>

					<description><![CDATA[The semantic roots of a word may open up new horizons which relate it to a broader frame of reference, a frame we normally would not connect with this word. This is also true for subsidiary meanings of a word, which are usually overshadowed by the primary meaning. The Arabic word for literature is adab, [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>The semantic roots of a word may open up new horizons which relate it to a broader frame of reference, a frame we normally would not connect with this word. This is also true for subsidiary meanings of a word, which are usually overshadowed by the primary meaning. The Arabic word for literature is adab, for instance, which means a lot more than what we understand when we say “literature” in English. Adab refers to “good manners, gentleness, elegance, refinement, and perfection” as much as it does to literature, and it is “interpreted in relation to a person’s lifestyle, conduct, and integrity and as a means to the flourishing of that person in spirituality and the purification of the heart.” The lead article of this issue does not speak of “literature” in terms of a scholarly discipline alone, but expounds more on this interesting connection of “letters” and “good conduct.”</p>
<p>Mary Evelyn Tucker and John Polkinghorne are our guests in Matter &amp; Beyond this issue. Professor Tucker from Yale University correlates the spiritual crisis we face in modern times with the ecological crisis on the Earth. Tucker says we are obsessed with economic growth and this preoccupation is creating a number of different types of alienation, sadness, even addictions, because the emptiness of modern consumer life is suffocating the human soul. Polkinghorne, a Fellow of the Royal Society and the former President of Queens’ College, Cambridge, says that science does not tell us the whole story. For him science “needs supplementation by other forms of insight.” Further, he emphasizes how valuable we humans are when he says, “Obviously on the scale of the universe, we are very tiny creatures, and we inhabit a planet that is just a speck of dust, really in the great universe, but we are greater than all the stars because we know them and ourselves, and they know nothing.”</p>
<p>Each day new innovations in science and technology are introduced into our lives. It is often debatable whether scientific research is conducted for the sake of science to fulfill a human need, or if it is manipulated in a way to boost a consumerist economy by shoveling new products onto the market every day. Still, there are interesting findings and discoveries we can learn from the mass media and journals, which will inspire us each time with an appreciation of the glorious harmony found in the universe. Aiming to be a source of inspiration for those readers who seek knowledge through perceiving this harmony, The Fountain is launching Science Square, a new section which will feature a brief account of some of the most interesting scientific news, compiled from recently released papers and reviews. Proceed to the department and see how running barefoot is less damaging than running with shoes, see how pure water can remain liquid at temperatures down to –40 C, how cancer-causing DNA mutations are deciphered, and how scientists are inspired by the spider web.</p>
<p> </p>
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		<item>
		<title>Barred Window</title>
		<link>https://fountainmagazine.com/all-issues/1995/issue-11-july-september-1995/barred-window/</link>
		
		<dc:creator><![CDATA[Louima Cunningham]]></dc:creator>
		<pubDate>Sat, 01 Jul 1995 00:00:00 +0000</pubDate>
				<category><![CDATA[Issue 11 (July - September 1995)]]></category>
		<category><![CDATA[A Moment for Reflection]]></category>
		<category><![CDATA[age]]></category>
		<category><![CDATA[birds]]></category>
		<category><![CDATA[children]]></category>
		<category><![CDATA[clouds]]></category>
		<category><![CDATA[days]]></category>
		<category><![CDATA[eyes]]></category>
		<category><![CDATA[frame]]></category>
		<category><![CDATA[heart]]></category>
		<category><![CDATA[leaves]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[man]]></category>
		<category><![CDATA[mood]]></category>
		<category><![CDATA[people]]></category>
		<category><![CDATA[playing]]></category>
		<category><![CDATA[prison]]></category>
		<category><![CDATA[school]]></category>
		<category><![CDATA[spring]]></category>
		<category><![CDATA[window]]></category>
		<category><![CDATA[yard]]></category>
		<guid isPermaLink="false">http://107.21.79.195/all-issues/1995/issue-11-july-september-1995/barred-window/</guid>

					<description><![CDATA[An elderly man gazed out of his cell window in Eskisehir prison. Spring-green poplar leaves moved in the brisk wind and, above the trees, small birds flapped and twittered as if to answer and amplify the leaves’ sunlit applause. The sight was like a reviving drink, and his thoughts plunged into images of the country [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>An elderly man gazed out of his cell window in Eskisehir prison. Spring-green poplar leaves moved in the brisk wind and, above the trees, small birds flapped and twittered as if to answer and amplify the leaves’ sunlit applause. The sight was like a reviving drink, and his thoughts plunged into images of the country he loved until, suddenly, homesickness came over him and the solitude of his imprisonment.</p>
<p>‘My Lord!’ he said, ‘Do not leave me solitary in this strange place. Comfort my people, and relieve them. Give us perseverance and strong resolve, and preserve our young ones in faith.’</p>
<p>But the scene outside would not imitate his mood. Feather-soft clouds and sunlight dazzled his eyes like gold and silver lace-work, urging him to an altogether different mood, as if to draw him to somewhere full of lively hope. The barred window of his prison allowed him only a narrow prospect. He scanned through the bars, this way and that, all that he could see. Beyond blocks of houses and shops, a school wall cast a broad shadow across the school yard, leaving only a corner in the light. He watched that bright corner and saw the shadows of little children traversing it, in and out of the light, as if they were playing in a ring, skipping and dancing. Yet, however he tried, he could not see the children themselves. He imagined he heard their voices, the sound of their feet. The words of childhood jingles rushed into his head. How many times children played such games as these, how often chanted the same words, over and over! Rehearsing. But for what celebration were these children practising so diligently? What great festival were they preparing?</p>
<p>Again the mood of the prison came over him. His mind’s eye pictured the children he imagined in the yard. And he watched them age before him, as though on a film screen, frame by frame, through adolescence and youth, through maturity and old age. Some disappeared from the frame before they attained old age. But the greater number remained. He scrutinized the wrinkled faces, the darkened eyes, exhausted flesh sagging upon weak bones, bodies buckled and bent. Here were, how many disappointed hopes? And dreams not realized? How few are capable of the trial of their old age! Some were sunk in pitiful nostalgia, some wretched with remorse for what they had done or not done. Some still trying, in vain, not to know the truth about themselves.</p>
<p>Their death brought to life, in the bitter torments of the grave, memories of the sins and errors they might have avoided in their younger days. Their corpses became skeletons, frame by frame, and their skeletons little heaps of grey dust amid which they lay, helpless, desolated, ashamed.</p>
<p>The old man’s heart brimmed over with the sorrow and suffering his mind pictured to him. Tears flowed as if from fountain deep within him, inwards to his heart, and out through his eyes and down his cheeks. He wept for the anguish of his people, for the wretchedness that they had stored up for themselves.</p>
<p>‘We must of necessity become old. Snow will-.fall on drip heads. Wrinkles will be stamped on our faces and dark rings etched under our eyes. This is so, so that we may recognize that we are old. So that we may be impressed, as our bodies are impressed, with the understanding that our time is limited. Our coming to the grave is a certainty.</p>
<p>Again, the old man looked out of his cell window. His thoughts turned again to ‘his homeland far away, to his people and, most tenderly of all, to the young. (‘O Lord, let their belief be preserved!’ Still the spring-green poplar leaves applauded the bright day and the birds sang and rejoiced. The clouds, likewise, moved briskly on with the winds, unresisting, graceful, content. He thought:</p>
<p>‘Man too is a traveller. His journey’s end is not the grave, but through resurrection, an eternal life. How unresistingly, how lightly the clouds travel, how sweetly the leaves and birds move through their allotted days! Man, only man, carries the burden of his freedom and so may be caught en route, unprepared, malcontent, fretful, offering vain excuses for his delays and deviations.’</p>
<p>He looked out to the school yard. He stood on tiptoe, but as before he could not quite catch sight of the children, only of their shadows playing. Still playing. Still preparing for some great celebration ahead. ‘Rehearse well, little ones! May He who created you, keep you upon His path. May you grow to a youth that is cheerful but never undisciplined. May you mature with a taste for virtue and for the service of others. Thereby you will be prepared for standing the journey you can by no means avoid. You will then travel the roads ahead of you &#8211; as, in the old days of the silk trade, the caravans used to go, if wisely stocked with goods acceptable at their journey’s end at a graceful pace and in modest hope of profitable trade..</p>
<p>And when he had prayed this prayer, the old man’s heart was lightened, and he could look out at the spring light on the other side of his window, without fear of ambush by homesickness or by a desire to complain of his imprisonment.</p>
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