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	<title>mysticism &#8211; Fountain Magazine</title>
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		<title>Annemarie Schimmel Building Bridges between East and West</title>
		<link>https://fountainmagazine.com/all-issues/2014/issue-98-march-april-2014/annemarie-schimmel-building-bridges-between-east-and-west/</link>
		
		<dc:creator><![CDATA[Louima Cunningham]]></dc:creator>
		<pubDate>Sat, 01 Mar 2014 00:00:00 +0000</pubDate>
				<category><![CDATA[Issue 98 (March - April 2014)]]></category>
		<category><![CDATA[annemarie]]></category>
		<category><![CDATA[Annemarie schimmel]]></category>
		<category><![CDATA[arabic]]></category>
		<category><![CDATA[christian]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[cultures]]></category>
		<category><![CDATA[dialogue]]></category>
		<category><![CDATA[german]]></category>
		<category><![CDATA[germany]]></category>
		<category><![CDATA[islam]]></category>
		<category><![CDATA[islamic]]></category>
		<category><![CDATA[knowledge]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[mysticism]]></category>
		<category><![CDATA[people]]></category>
		<category><![CDATA[persian]]></category>
		<category><![CDATA[qur’an]]></category>
		<category><![CDATA[turkish]]></category>
		<category><![CDATA[understanding]]></category>
		<category><![CDATA[west]]></category>
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					<description><![CDATA[This is an article on the life, works, and efforts of Cemile (the Beautiful), as Annemarie Schimmel (d. 2003) was called in the East. Who was Annemarie Schimmel? How did she influence the Occident and the Orient, and what was the magnitude of her achievements? Annemarie Schimmel was born in Erfurt, Germany, in 1922. She [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>This is an article on the life, works, and efforts of Cemile (the Beautiful), as Annemarie Schimmel (d. 2003) was called in the East. Who was Annemarie Schimmel? How did she influence the Occident and the Orient, and what was the magnitude of her achievements?</p>
<p><span id="more-1625"></span></p>
<p>Annemarie Schimmel was born in Erfurt, Germany, in 1922. She grew up in a home full of talk about mysticism and philosophy. She was one of the young Germans of the 19th and 20th centuries who fell asleep with the Stories of 1001 Nights. Her father, a postal worker, was deeply interested in mysticism. During the Nazi era, the young Annemarie discovered her passion for the Arabic language and Arab culture. Once a week, she received private lessons in Arabic and Islamic Studies by Hans Ellenberg, whom she called Efendi. Already, at the age of 19, she had completed her doctorate on the subject, &#8220;The Position of the Caliph and the Qadis in Late Medieval Egypt.&#8221; She published more than 120 books and studied and translated, among other things, Arabic and Persian poets such as Mawlana Rumi, Ibn Ataullah, Hallaj, Yunus Emre, and Muhammad Iqbal, who wrote about mysticism and the love of God. As an Islamic scholar, she is still highly esteemed in the East and the West. Here is just one example:</p>
<h3>Love</h3>
<blockquote>
<p>In passion deep my heart fell &#8211;<br />Just look, what love has made of me!<br />I gave my head to strife and pain &#8211;<br />Just look, what love has made of me!<br />I silently weep to myself,<br />While love stains me in blood,<br />Can&#8217;t be sober, can&#8217;t be confused &#8211;<br />Just look, what love has made of me!<br /><em>Yunus Emre</em></p>
</blockquote>
<p>The languages she knew included Turkish, Persian, Urdu, Turkmen, French, Pashto, Hindi, Kurdish, Swedish, and also Arabic, which she was able to speak in more than 10 dialects. Besides her talent for learning languages, she was also a gifted speaker and gave lectures in Turkish, Persian, and Arabic that sometimes lasted hours.</p>
<p>She had a special passion for ornamentation, calligraphy, and architecture. Almost all of her published books are illustrated and many a chapter is introduced with calligraphic verses from the Qur&#8217;an. One of her books is titled, In the name of Allah the All-Merciful.</p>
<p>Annemarie Schimmel has received many awards and honors: honorary doctorates from the universities of Konya, Islamabad, and Sind; the Hilal-i Imtiyaz Medal (the highest award in Pakistan); the Gold Medal of the city of Istanbul; the Arts and Science Medal of the Republic of Turkey; the Peace Prize of the German Book Trade; and the Federal Cross of Merit. Thanks to her strong commitment for a better understanding between nations, her advice was taken seriously all over the world. Since her death, she has not been forgotten; in the Pakistani metropolis of Lahore, for instance, a main road was named after her &#8211; the Hiyaban-i Annemarie Schimmel Road. In Iran, she is much appreciated and often quoted. In Turkey, she became immortal as the unforgettable Cemile.</p>
<h3>The bridge builder</h3>
<p>&#8220;Nowadays broader circles of our society realize that a certain understanding of other cultures is needed to avoid the dangerous generalizations the media are replete with. It is a must to learn about the history of the &#8216;other.&#8217; In my opinion, it is very important that we also address the intellectual history of Islam, recognize its outstanding cultural achievements, and strive to find common ground, even if it is sometimes difficult.&#8221;</p>
<p>During her life as a scholar, Annemarie Schimmel focused intensively on improving understanding between Islam and the West. With her in-depth analysis, she communicated the ideological and artistic content of Islamic culture, and especially its beauty and intellectual wealth &#8211; not only to German or European readers, but also to Americans and other cultures. She was always committed to dialogue, and made an effort &#8211; through media, literature, and face-to-face meetings &#8211; to get Christians interested in Islamic culture and Muslims interested in Christian culture. In the verses of famous Islamic poets and mystics she met the &#8220;true&#8221; Islam, which is embedded in believers&#8217; hearts and waiting to be discovered.</p>
<p>For her, the first prerequisite for dialogue is knowledge of one&#8217;s own culture and the other culture, be a person Christian, Jewish, or Buddhist.</p>
<p>&#8220;Without mutual knowledge there is no mutual understanding, without understanding there is no mutual respect and no trust, and without trust, there is no peace, but the risk of a clash.&#8221;</p>
<p>Annemarie Schimmel would never have entered a dialogue without knowledge about the culture of her counterpart. In her view, people should keep and practice their religions. They should take it seriously, but at the same time, try to get to know other cultures and values and to accept them. In many conversations and interviews, she regretted that the Christian and the Islamic cultures knew so little about each other, because if they knew, they would surely appreciate each other &#8211; which she experienced over and over again during her long stays in Islamic countries. According to her, even brief conversations with taxi drivers can be very valuable in this regard.</p>
<p>She became friends with countless people from other cultures. Her image of Islam was not shaped primarily by her years of occupation with Islamic literature and art, but rather by the encounters with Muslim friends around the world and from all walks of life, who invited and received her lovingly in their houses and made her familiar with their culture.</p>
<p>Ms. Schimmel traveled with her mother from Edirne to Konya and Gaziantep, throughout Anatolia. They met with many people, from all layers of society, every one of whom taught them another personal piece of Turkish culture.</p>
<p>&#8220;We have to get to know other cultures better. You never finish with it; there is always something new to learn and to do: reading, giving lectures, and just keeping people informed. Everybody who knows Islam knows that Islam and terrorism have nothing in common,&#8221; she said in an interview. She relied on a quote of St. Augustine&#8217;s, &#8220;Res tantum cognoscitur quantum diligitur&#8221; (You only understand what you love), and on an Arabic proverb, which is mentioned in the prose works of Rumi: &#8220;Man is the enemy of what he does not know.&#8221;</p>
<p>Only a few Christians know that in Islam, Jesus is considered a forerunner to Muhammad and therefore enjoys the highest esteem in the eyes of Muslims, whereas Muhammad has a negative image in the West, peace be upon them both. Ms. Schimmel complained about this. In her book Jesus and Mary in Islamic Mysticism, she noted that Jesus is mentioned in the Qur&#8217;an in 15 chapters and a total of 93 verses, and that Mary is the only woman who is mentioned in the Qur&#8217;an by name &#8211; and thus is of great importance to all Muslim women.</p>
<p>Her greatest concern was a dialogue of equals. In Germany, she regretted and criticized that, for a long time, Catholic bishops had no other dialogue partners than Turkish engineers and distributors. She deemed this fact a main obstacle to understanding. Therefore she encouraged the German government to educate Imams and German-Islamic theologians. Eight years after her death, her wish came true. In April, 2011, the inauguration of the Centre for Islamic Theology at Tübingen took place &#8211; a milestone for interfaith dialogue in Germany.</p>
<p>Ms. Schimmel made the Turkish culture known in Germany and the German culture known in Islamic countries. During a five-year stay in Turkey, she wrote innumerable articles under her pseudonym, Cemile Kıratlı, for the magazines Hayat and Istanbul Dergisi. She did not forget her roots, but at the same time tried to absorb other cultures.</p>
<p>Annemarie Schimmel died in Bonn, in 2003, at the age of 81. Before her death, she said she was looking forward to finally seeing the hereafter with her own eyes, rather than only reading about it. Her last wish was that at her funeral, the opening chapter of the Qur&#8217;an be recited. Friends have engraved her life motto in both German and Persian on her grave stone: &#8220;People sleep, and when they die, they wake up.&#8221;</p>
<h3>Conclusion</h3>
<p>In her pursuit of understanding, Annemarie Schimmel was a role model for all people. It is important for our society to respect her efforts and follow her example. It is important that the Christian and the Islamic cultures get to know each other better in the future, because this is the only way prejudices and misunderstandings can be reduced. Annemarie Schimmel, Herder, Goethe, Klee, Rilke, Rumi, Yunus Emre, and Iqbal have proved the fact that there are no impenetrable barriers between cultures and religions.</p>
<p>&#8220;Then one day &#8211; Inshallah, God willing &#8211; we will find, as Goethe did, a way that will enrich both sides: the Orient through the encounter with the deep-rooted European culture and us through the knowledge of an infinitely rich past and a versatile oriental culture that comes to light in literature and grammar, in the heights of mysticism, but also in the most beautiful flowers of the arabesques. And then perhaps we may one day say (as Goethe put it once so well): Orient and Occident can no longer be separated.&#8221;</p>
<p>A few examples from Schimmel&#8217;s works: As Through A Veil : Mystical Poetry in Islam (1982); Mystical Dimensions of Islam (1975); Islam: An Introduction (1992); My Soul Is A Woman: The Feminine in Islam (1997); A Two-Colored Brocade: The Imagery of Persian Poetry (1992); Mohammad Iqbal, Poet and Philosopher (1960); Calligraphy and Islamic Culture (1990); A Dance of Sparks: Imagery of Fire in Ghalib&#8217;s Poetry (1983)</p>
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		<title>Translation of Sufi Poetry</title>
		<link>https://fountainmagazine.com/all-issues/2009/issue-69-may-june-2009/translation-of-sufi-poetry/</link>
		
		<dc:creator><![CDATA[Louima Cunningham]]></dc:creator>
		<pubDate>Fri, 01 May 2009 00:00:00 +0000</pubDate>
				<category><![CDATA[Issue 69 (May - June 2009)]]></category>
		<category><![CDATA[discourse]]></category>
		<category><![CDATA[experience]]></category>
		<category><![CDATA[god]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[literature]]></category>
		<category><![CDATA[Literature & Languages]]></category>
		<category><![CDATA[meaning]]></category>
		<category><![CDATA[mystical]]></category>
		<category><![CDATA[mysticism]]></category>
		<category><![CDATA[nature]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[power]]></category>
		<category><![CDATA[reality]]></category>
		<category><![CDATA[research]]></category>
		<category><![CDATA[Spiritual]]></category>
		<category><![CDATA[sufi]]></category>
		<category><![CDATA[Sufi Poetry]]></category>
		<category><![CDATA[Sufism]]></category>
		<category><![CDATA[truth]]></category>
		<category><![CDATA[understanding]]></category>
		<category><![CDATA[words]]></category>
		<category><![CDATA[world]]></category>
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					<description><![CDATA[The misunderstanding and the misconception by some Western readers that Sufi poetry is strongly tinged with sensuality and replete with erotic and bacchanalian symbolism is now discredited as altogether false. Now it is universally recognized that Sufi poetry sings of Divine Love in secular words. Nicholson writes that one who reads mystical poetry of Islam [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>The misunderstanding and the misconception by some Western readers that Sufi poetry is strongly tinged with sensuality and replete with erotic and bacchanalian symbolism is now discredited as altogether false. Now it is universally recognized that Sufi poetry sings of Divine Love in secular words. Nicholson writes that one who reads mystical poetry of Islam feels that the aspiration of the soul towards God is expressed in the same terms which might be used by an Oriental Anacreon or Herrick. Indeed, the resemblance is so close that unless supplied by interpretation of the Sufi doctrine of Divine Love, the poet is likely to be misinterpreted. Hence there is need of correct translation and interpretation of a Sufi poet’s language which is densely metaphoric and intertextual.</p>
<p><span id="more-1020"></span></p>
<h3><b>Current trends in language studies </b></h3>
<p>Of the various functions of language one is its meaning making, knowledge producing activity. Various theories of language and discourses produce different kinds of knowledge, meaning, reality and truth-claims. Over the last four decades much academic discussion dealing with language has started out with its value-laden entwinement with ideology. Language’s ambiguous nature, culture-specific character, indeterminacy of meaning and the ways in which it shapes and controls our perceptions of the world, have been studied in the social and political context. Consequently, there has been proliferation of such diverse disciplines as psycholinguistics, socio-linguistics, and post-colonial studies. Research in language use has tended to focus on its power to shape our perceptions of the world within hierarchical structures of power which are both formulated and upheld by language. Language has been studied as social capital, an instrument for establishing cultural hegemony, a form of manipulation and conquest, a discourse of power embedded in ideology in the context of education, interpersonal and mass communication, business, propaganda, advertisements, natural sciences and translation studies.</p>
<p>The truth-claim of the designative tradition in the philosophy of language, based as it is on nominalism and naturalism, limits meaning to word-object relation only, and reduces reality to mere physical phenomena that can be quantitatively measured and explained. This exclusive, separatist, Cartesian focus on mirroring objective reality ends in scientific materialism and determinism, which leaves no room for the noblest reaches of spiritual life. On the other hand, if the twin emphasis on how discourse is both constituted by and constitutes the socio-cultural world and the notion that discourse is invested in and contributes to the (re)production of power relations in society, ends in cultural materialism, likewise the poststructuralist marginalizing of external reality, exaggerated one-sided emphasis on hermetically closed system of textuality, regression and deference of meaning results in nihilism.</p>
<h3><b>Breaking free from linguistic reductionism</b></h3>
<p>If it is to have a future, the philosophy of language has to break free from cultural narcissism, solipsism, and linguistic reductionism. It has to make a connection between the fullness of life and language. The idea of reality needs to be extended to make room for the complexity of full human experience-the Transcendental and the temporal and spatial, the Eternal and the historical, the spiritual and the physical, the sacred and the secular. Regrettably research in language studies has not been carried over into the domain of mystical discourse. The absence of an adequate study of the need, nature, function, effect and context of language in leaping up to Transcendence, neglect of the study of the relationship between language and faith in mystical discourse in various theories of meaning and reality is symptomatic of a deep problem in our current views of our cognition of reality. The difficulty is not a matter of mere oversight. The problem is far more distressing, for it concerns our entire orientation towards these issues, which is based on a set of presuppositions that deny God, spirituality, mysticism, and sacredness a central role in the constitution of reality. The paradigms of positivism and empiricism are still regarded as organizing forms which exclude transcendence and subjective mystical experience as integral parts of the fullness of life.</p>
<p>Despite the fact that since the 1970s the study of mysticism has completely transformed, it has yet to draw the attention of linguists, literary critics and philosophers of language. Far from being regarded as sentimentalism and deviation from religion or abnormal behavior it has come to be recognized as an account of sublime spiritual experience. The labors of religions psychologists, like the work of William James (1982) disentangled it from psycho-physical accidents and no responsible student now identifies mysticism with confusion of thought. The philosophical and theological landscape with its increasing emphasis on Transcendence, respect for the idea of the sacred, growing recognition of the distinctness, independence and need of the spiritual order and a revival of the creaturely sense, strongly contrast with the temper of the nineteenth-century thought. The metaphysical claims of mystics are now recognized as truth-claims. The warm welcome given to Rudolf Otto’s The Idea of the Holy (1926) has been followed by renewed interest in the sacred. Yet in spite of the adjustments required by such a shift in philosophical outlook, language theorists have yet to enrich their insights by gleaning from the field of mysticism. Wittgenstein’s catalogue of “language games” includes prayer but it does not move beyond formal prayer to private prayer, munajat, “a prayer of intimate conversation between God and man during which words of love and affection are exchanged and consolation is found for the afflicted heart.” The linguist’s inquiry does not address issues of the meaningfulness, force and effect of language constructs in the mystical discourse and context. This constitutes a very large gap in scholarship on language.</p>
<p>The profundity of thought, sublimity of emotion and esthetic beauty of the works of Muslim mystics has gained international attention and respect by virtue of their translation into different languages and the commentaries on them-Massignon’s French volume on Mansur al-Hallaj (1922), Chittick (2000), Nicholson (1964, 1970, 1989), Arberry (1956, 1979) and Schimmel’s works (1975, 2003) in English on Muslim mystics in general and in particular on Al-Hujwiri and Maulana Rumi, Margaret Smith on Muhasibi (1935), and Rabia (1994), Schimmel’s German volume on the Prophet Muhammad (peace be upon him) (1981). Maulana Rumi has emerged as the most widely read poet in the United States because of the accessibility of translations of his work into English.</p>
<h3><b>Rationale</b></h3>
<p>Why Sufi poetry? The devastation caused by the two world wars, for the first time shook the Western world into realizing a two-fold need .The first was of “a deeper understanding and appreciation of other peoples and their civilizations, especially their moral and spiritual achievements.” The second need arose from the strong call for “a new vision of the Universe, a clearer insight into the fundamentals of ethics and religion.” What should be the criteria for living a decent life? Can the nations be brought together? Is there a God of love or simply a blind, mechanical, impersonal force behind the chance collocation of atoms? What is the nature of the relationship between man and God? Can man reach out to Him or does He remain inaccessible? This quest led men and women to dig out what the mystics, the greatest minds of East and West, who by common consent are accepted as the people of God, have thought and said about the truth of God.</p>
<p>This was, according to Arberry, one of the main objectives behind a series of translations of Sufi (Islamic mystical) literature and commentaries on them, showing the background against which this kind of literature arose and developed. The translator of Sufi literature emerged in the role of the guide who shows the way to treasures. Arberry (1956) wrote, “Mankind is hungry, but the feast is there, though it is locked up and hidden away.” The aim of translations was to put that feast within reach, so that, like “the Heroes of Homer, we may stretch out our hands to the good cheer laid before us.”</p>
<p>Unfortunately this aim has not yet been realized. Since 9/11 nations have drifted even further away from each other. Misunderstanding, misrepresenting and misrepresented, seething with the consuming passion of mistrust and hatred, the world today is once again standing on the brink of disaster. We behave in this wasteland like hollow men who eschew eye contact with each other, who can connect nothing with nothing, and talk only about the clash of civilizations. We need to open our eyes to the beauty of the emotion of love shared by all the religions and traditions of mysticism. No doubt, the great religions differ in fundamentals, but the essence is the same, and that is compassion and it is that which brings the great religions together on a strong spiritual footing.</p>
<p>The transformative spirit and power of Sufi poetry was later voiced once more by a Western scholar, Karen Armstrong, who viewed her access to the Holy Qur’an and Sufi literature through translations as a “very liberating experience.” She discovered expansion, pluralism and compassion in Islam. Since then it has been her jihad, as she puts it, to enlighten her people in the West about the true spirit of Islam and dispel misunderstandings, prejudices, and negative stereotyping of Muslims.</p>
<p>Another motive which should precipitate translation of Sufi poetry is the need to fill the gap in scholarship on language. Language has a complex character. It can perform diverse and contradictory functions. Like the two-faced Roman God Janus, language has an ambivalent character; it can equally disclose and hide, construct and destroy, inspire and demoralize, liberate and imprison, clarify and distort, heal and hurt. Sufi literature brings forth the paradox of the inadequacy of words to express and convey the mystical experience and insight, and on the other hand the meaning, power and need of words. Sufis always say that their experience is ineffable, yet they couch their feelings and experiences in words and express them with great conviction, force and eloquence .If the spiritual experience and the vision are unutterable and beyond expression and words are inherently incapable of expressing something which is beyond the comprehension of intellect (because words are the tools of intellect to conceptualize) then these questions are immediately raised:</p>
<ol>
<li>What is the nature of language in Sufi poetry?</li>
<li>What does a Sufi describe?</li>
<li>How do the words function?</li>
<li>What is the purpose of this functioning?</li>
</ol>
<p>First, Sufi poetry is highly metaphorical in nature. The illogical logic in Sufi poetry addresses the “ontological” status of metaphor in relation to how things actually are: the unreality of the phenomenal world and the way it should be “seen as something else.”</p>
<p>Second, Sufi literature reveals and describes the most profound spiritual truths disclosing the esoteric aspect of Islam, as the very titles of many Sufi treatises demonstrate. Kashf-Al-Mahjub, the oldest Persian treatise of tasawwuf (Sufism), written by Ali Bin Uthman Al-Hujwiri, means the “Unveiling of the Veiled,” and in his own words it is “an explanation of mystical sayings, and an uplifting of the veil of mortality.” Long before Derrida used the word “translator” for a writer, Sufi writers saw themselves in the role of translators, who transfer, reconstitute and interpret divine truths from the transcendental domain to the context of this physical world.</p>
<p>This makes us move on to the function that language performs in Sufi literature. Sufi poetry displays the close relation between language, belief, understanding and truth. Sufi poetry by its very nature engages us in a dialogue with the Transcendental. Not only does it initiate the move to relate, it then becomes the means of consolidating and strengthening the bond, and expanding understanding of the nature of relationship.</p>
<p>Here language becomes a way of showing the way to harmony and peace that passes understanding. Words do not strain, slip and crack here. They are meaningful, not illusory nor simulacra. They create meaning: meaning is not endless regression here. Language in Sufi poetry is not “a prison house” outside which no reality lives. Functioning as a therapy, Sufi poetry sprouts hope and shows possibilities of breaking through impasse, becoming a source of strength and inspiration. It reanimates and “brings dead hearts to life.”</p>
<p>Sufi poetry has constitutive value; it constitutes who we are, how we should think and live. It sets the parameters of our life by pressing upon us the ideal of love and compassion. Making us see beyond the mere referential value of word-object relationship, it offers a dynamic and creative view of language.</p>
<p>Thus, Sufi poetry develops an optimistic relationship between humankind and language. Just as mystical experience is liberating, likewise language is seen as a liberating force, expanding and promoting human well being, rather than being constrictive as Derrida, the philosopher of language, claims it to be.</p>
<h3><b>Integrating the sacred with the secular</b></h3>
<p>Research in the translation of Sufi literature becomes a way of reintegrating “the sacred with the secular” in today’s disenchanted world. The way language in Sufi literature creates and extends meaning and reality is nowadays ignored because of the Post-structuralist emphasis on culture, ideology and indeterminacy of meaning in language. But the significance of language as a “meaning-making” activity, a way of knowing and understanding Transcendence, a means of creating a bridge across diverse religions and cultures validates such comparative studies. Truth may be at stake. A researcher and a scholar like the translators, critics, historians, journalists and professors of literature can break or make a writer on his/her own terms. Research acquires the power of Plato’s pharmakon, both “poison” and “remedy.” The power invested in the researcher to change texts and so change the world should be increasingly recognized.</p>
<p>The researcher may intervene in the interpretation of text for different reasons and use research to serve various functions. If an interpretation is yoked to a political or national agenda it may manipulate language to construct meaning not intended by the original text. In this way research ceases to be a means of knowing the truth. It becomes manipulation, subsuming the original meaning into its own hegemonizing voice. In generating erroneous perceptions of a work and the doctrine it is embedded in biased or erroneous interpretation assists in promoting negative stereotypes. Inauthentic and distorted versions of Sufi literature were instrumental in re-presenting Islamic mysticism as a form of Bacchanalian ecstasy. Research can thus do more harm than good by repressing, distorting or containing the original meaning.</p>
<p>In its positive aspect, by being faithful to the original meaning of the text, research can promote good will through intercultural dialogue, expand understanding about other religions and literatures, and promote peaceful coexistence. The aim should be to deepen understanding and expand awareness about the complexity of the web of language use in making Sufi poetry.</p>
<p><em>Aalia Sohail Khan is an associate professor of English in the National University of Modern Languages, Islamabad.</em></p>
<h3><b>References</b></h3>
<ul>
<li>Arberry A.J. Muslim Saints and Mystics. Trans. Tadhkirat-al-Auliya by Farid al-Din Attar. London: Routledge &amp; Kegan Paul, 1966.</li>
<li>Medina, Jose. Language: Key Concept in Philosophy. London: MPG Books Limited. 2000.</li>
<li>Schimmel, Annemarie. As Through a Veil: Mystical Poetry in Islam. Cambridge: Cambridge University Press, 1985.</li>
<li>Underhill, Evelyn, Mysticism: A study in the nature and development of Man’s spiritual consciousness. New York: Meridian Books, 1960.</li>
</ul>
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