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	<title>orange &#8211; Fountain Magazine</title>
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		<title>How Collaboration Makes a Difference in Dispute Resolution</title>
		<link>https://fountainmagazine.com/all-issues/2013/issue-95-september-october-2013/how-collaboration-makes-a-difference-in-dispute-resolution/</link>
		
		<dc:creator><![CDATA[Louima Cunningham]]></dc:creator>
		<pubDate>Sun, 01 Sep 2013 00:00:00 +0000</pubDate>
				<category><![CDATA[Issue 95 (September - October 2013)]]></category>
		<category><![CDATA[coleman]]></category>
		<category><![CDATA[collaboration]]></category>
		<category><![CDATA[collaborative]]></category>
		<category><![CDATA[conflict]]></category>
		<category><![CDATA[deutsch]]></category>
		<category><![CDATA[dialogue]]></category>
		<category><![CDATA[dispute]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[human]]></category>
		<category><![CDATA[medina]]></category>
		<category><![CDATA[orange]]></category>
		<category><![CDATA[parties]]></category>
		<category><![CDATA[party]]></category>
		<category><![CDATA[peace]]></category>
		<category><![CDATA[power]]></category>
		<category><![CDATA[problem]]></category>
		<category><![CDATA[resolution]]></category>
		<category><![CDATA[work]]></category>
		<guid isPermaLink="false">http://107.21.79.195/all-issues/2013/issue-95-september-october-2013/how-collaboration-makes-a-difference-in-dispute-resolution/</guid>

					<description><![CDATA[Parties in a dispute can resolve their differences in various ways. Oftentimes, at least one party feels a need to compromise in order to reach a resolution. As a result, the compromising party may suffer, or feel unfairly treated. When the dispute involves matters of life and death, reaching a fair resolution is even more [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Parties in a dispute can resolve their differences in various ways. Oftentimes, at least one party feels a need to compromise in order to reach a resolution. As a result, the compromising party may suffer, or feel unfairly treated. When the dispute involves matters of life and death, reaching a fair resolution is even more crucial. In a world where the “other” is constantly being dehumanized, how is it possible to negotiate in a way that respects the dignity of both parties, and allows them to constructively resolve their differences? Must there always be both winners and losers at the end of a dispute, or can all the parties be winners?</p>
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<p>Imagine two children fighting over an orange. Not knowing what the other one is interested in, one of them aspires to eat the orange, and the other desires to make a cake with the orange peel (Fisher, Ury, &amp; Patton, 1981). There are several different scenarios that they may end up with when they finally stop quarrelling over who found the orange first, and decide to end the dispute. In the first scenario, they simply split the orange into two equal halves. The first child peels the orange and eats the fruit and throws away the peel, while the second one throws away the fruit and uses the peel to make the cake. Both parties compromise; however, effectively half of the orange gets wasted, and both parties actually lose something. In the second scenario, one of the children forcefully takes the whole orange with threats and physical force, while the other capitulates. The dispute ends with one party winning, and the other losing. The forceful one may seem to be victorious at first sight, but loses his friend’s trust, damaging a valuable relationship in the long term. In the third scenario, the children decide to calm down and listen to each other, and understand why each one wants the orange, and resolve the dispute in a way that fulfills both their needs. One of them gets the whole orange peel, which is enough to make the cake, and the other gets the whole fruit to eat. Nothing is wasted, and everyone gets the best they could. Both parties win.</p>
<p>Looking at the orange sharing example, are there lessons here that we can learn and apply to the broader world? For starters, I think it’s clear that dialogue naturally leads to collaboration, and collaboration helps to attain the optimal resolution, whereas other approaches to dispute resolution are likely to produce sub-optimal results for both parties. Parties who collaborate gain power with others. Just as in the case of the last orange sharing scenario, parties work together to attain maximum gains for all. In contrast, when one party declares victory by exerting power over the other, similar to the episode where the child grasps the orange by force, this leaves behind a legacy of injustice and mistrust, for one party has deprived the other of his share. In the long term, future dealings will be very difficult. When the parties in a dispute use tactics of coercion, threat, or deception in a way that exacerbates their power differences, not only is the trust between the parties damaged, but they also become suspicious and hostile of one another (Deutsch, et al., 2006). Even if the disputing parties can reach a settlement in the end, often the underlying interests of neither party can be truly addressed, or one party is at a serious disadvantage. Overall, since the root causes remain unaddressed, the dispute can manifest itself again sooner or later, in some other shape or form. Moreover, the competitive nature of the process brings material losses and dissatisfaction, worsening relationships, and exacerbating negative psychological effects (Deutsch, 2006), as there are losers in this process. The true winners are the ones who choose the way of dialogue and collaboration.</p>
<p>The story of the Prophet Muhammad, peace and blessings be upon him, and his creative idea for settling a dispute that occurred during the rebuilding of the Ka‘ba in Mecca (before his prophethood) brilliantly exemplifies a collaborative agreement: when the sacred Black Stone was to be put in place, the leaders of several tribes quarreled about who should have the honor to place it. They could not resolve the dispute by themselves and decided to pick the first person who entered Ka‘ba as an arbitrator. Acting as the neutral third party to the dispute, the Prophet’s idea was to place the stone on a cloak and the heads of each tribe would take a side of the cloak and together carry it in; hence each could have the honor of putting the stone in place (Satha-Anand, 1998; Saritoprak, 2010; Abu-Nimer, 2000; Coleman &amp; Deutsch, 2006). This innovative resolution, where all the parties got what they wanted, produced no losers. Everybody won as the resolution was compatible with their underlying interests. The historical episode not only highlights the importance of creativity, and the important role of a wise and neutral third party in dispute resolution, but also demonstrates that even difficult disputes can be overcome through collaborative problem solving. When parties in a dispute can identify and frame the issue at hand as a mutual problem to be solved, they can work together to achieve a common goal. They separate emotions from the problem. They are attentive to each others’ needs, listen to each other to understand each others’ underlying interests, and they creatively brainstorm on alternative solutions to address those interests (Bolton, 1986; Deutsch, Coleman &amp; Marcus, 2006).</p>
<p>As the Prophet’s peace building skills were well-known, the leaders of the city of Medina invited him and his followers to their city to build peace among rival tribes after his prophet hood (Saritoprak, 2010; Abu-Nimer, 2000). The tribes of Medina had been fighting for centuries. As a visionary, he was able to implement a collaborative treaty (the Charter of Medina is the first constitution created by the Prophet) that ensured the rights of all inhabitants of Medina, which consisted of Christians, Jews, Muslims, and pagans. The Charter of Medina can also be highlighted as an example of interfaith dialogue in action. The Prophet often reminded his followers about the significance of solidarity and unity between Muslims and non-Muslims (Abu-Nimer, 2000). A peaceful society was successfully established in Medina and existed as a single inclusive community. The same peaceful model was later extended to Mecca.</p>
<p>The civilization that flourished in Medina was built on two main principles. These are namely “the mutual cooperation” and “the loving interrelatedness of the creation” that puts forward “collaborative action” and “solidarity” (Saritoprak, 2010). The mutual cooperation of creatures on earth can be observed in all the physical events around us. For example, the elements cooperate with each other to form the matter. The red and white corpuscles in the blood work together in protecting and feeding the body. The cells in the body function in cooperation. Rain helps plants to grow, plants help animals to grow, and they both help human beings to grow. The loving interrelatedness of the creation emphasizes that all members of creation are brothers and sisters, and rejects all forms of bias, such as racism and nationalism, and prioritizes communal solidarity that includes both Muslims and non-Muslims.</p>
<p>As the Charter of Medina illustrates, for a collaborative resolution, the parties in a dispute must team up and empower each other in order to find the most creative solution that best satisfies all parties. They work on implementing a plan that identifies the roles of each party and commits to positive outcomes for all. Due to the cooperative nature of the process, the parties have more resources, more diversity in ideas, and more social support for the problem solving work involved (Coleman &amp; Deutsch, 2006). Furthermore, cooperation brings greater group productivity, more favorable interpersonal relations, better psychological health, and higher self-esteem (Deutsch, 2006). There are no losers in this process, and everybody wins.</p>
<p>You may question the applicability of collaborative dispute resolution and win-win results. They may sound too idealistic, and because we live in an increasingly materialistic, self-centered, and egoistic culture, not realistic for our current world. People tend to be under the control of their carnal selves, ignore the needs of the others, or even take it to the point of dehumanizing the other, especially during stressful situations. Emotions such as anger and humiliation may take over common sense, and may make it very difficult to be constructive. Therefore, contention may seem inevitable.</p>
<p>However, as human beings, we have the gift of conscience that can help us defeat our carnal selves and attain win-win results, regardless of the extent of the conflict. The voice of our conscience would encourage us to listen with empathy, and to respect the basic human needs of the other party, regardless of who we are dealing with. It would encourage us to be patient, tolerant, and loving. Our conscience, in a sense, can act as the “inner” neutral third party that can remind us of the basic tenets of humanity (Ury, 1999, cited in Moix, 2006). All major faiths share the virtues of compassion, love, tolerance, respect for human dignity, and value the sacredness of human life; all these things also relate to the development of our conscience. These common values have contributed to the international human rights standards, ethical norms, and humanitarian laws, as well as the philosophy and practice of peacemaking (Moix, 2006). Emphasizing such spiritual teachings for the good of mankind in general, regardless of religion or ethnicity, is crucial when aspirations consume people, and drive them to commit atrocities. In this respect, interfaith dialogue can help strengthen the possibility of constructive resolutions. If disputes grow and turn into conflicts involving atrocities, faith leaders can act as the “outer” neutral third parties to mediate and remind people to draw on their faiths rather than their emotions. Especially, if the leaders engage in a strong interfaith dialogue network that they can mobilize; many disputes involving people of multiple faiths can be eliminated before they can grow, whether these disputes are at the interpersonal or intergroup level. Examples of successful peace building through interfaith dialogue exist around the conflict regions of the world. Consider the collective action and advocacy in the Philippines, Sri Lanka, and Israel – Palestine (Abu-Nimer, 2008), as well as in Turkey, through the efforts of Journalists and Writers Foundation.</p>
<p>Essentially, if the parties in a dispute can use the power of collaborative problem solving to produce beneficial alternatives for all, they can attain the creative atmosphere to expand the range of alternatives for positive change and growth (Coleman &amp; Deutsch, 2006).With authenticity, respect, and love, the parties can easily attain constructive resolution, and there is chance to reach the optimal solution where positive outcomes – such as strengthening relationships, and improving psychological health and productivity – are prevalent, as opposed to feelings of distress, resentment, and alienation resulting from other alternatives (Bolton, 1986).</p>
<p>In sum, if the parties in a dispute can approach the resolution process with positive intentions, they are more likely to achieve collaborative problem solving which will produce beneficial alternatives for all. In parallel with the philosophy of Yunus Emre (the 13th century Sufi master) who once said, “We love the Created because of the Creator,” the key is to start with love and tolerance by prioritizing human well-being. If we can use the power of our “inner” neutral third parties, difficult problems and disputes are likely to resolve naturally.</p>
<p><em>Alptekin Kavi is an electrical engineer and designs computer chips at a high-technology company. He lives in Superior, Colorado.</em></p>
<h3><b>References</b></h3>
<ul>
<li>Abu-Nimer, M. (2000-2001). A framework for nonviolence and peacebuilding in Islam. Journal of Law and Religion, 15(1/2), 217-265.</li>
<li>Abu-Nimer, M. (2008). The role of religious peacebuilding in traumatized societies. In Hart, B. (Ed.), Peacebuilding in traumatized societies (pp. 239-257). The United States of America: University Press of America.</li>
<li>Bolton, R. (1986). People skills (pp. 232-257), New York: Simon &amp; Schuster Inc. (Original work published 1979).</li>
<li>Coleman, P. T. (2006). Power and conflict. In M. Deutsch, P. T. Coleman, &amp; E. C. Marcus. (Eds.), The handbook of conflict resolution: Theory and practice (pp. 120-143). San Francisco: Jossey-Bass A Wiley Imprint</li>
<li>Coleman, P. T., &amp; Deutsch, M. (2006). Some guidelines for developing a creative approach to conflict. In M. Deutsch, P. T. Coleman, &amp; E. C. Marcus (Eds.), The handbook of conflict resolution: Theory and practice (pp. 402-413). San Francisco: Jossey-Bass A Wiley Imprint.</li>
<li>Deutsch, M. (2006). Cooperation and competition. In M. Deutsch, P. T. Coleman, &amp; E. C. Marcus (Eds.), The handbook of conflict resolution: Theory and practice (pp. 23-42). San Francisco: Jossey-Bass A Wiley Imprint.</li>
<li>Fisher, R., Ury, W., &amp; Patton, B. (Ed.). (1991). Getting to yes. New York: Penguin Books. (Original work published in 1981).</li>
<li>Moix, B. (2006). Matters of faith: Religion, conflict, and conflict resolution. In M. Deutsch, P. T. Coleman, &amp; E. C. Marcus (Eds.), The handbook of conflict resolution: Theory and practice (pp. 582-601). San Francisco: Jossey-Bass A Wiley Imprint.</li>
<li>Nursi, S. The Rays from Risale-i Nur collection, (pp. 19). Retrieved from http://www.scribd.com/doc/13667249/The-Rays-From-Risalei-Nur-Collection</li>
<li>Saritoprak, Z. (2010). Fethullah Gulen’s theology of peacebuilding. In Esposito, J. L., &amp; Yilmaz, I. (Eds.), Islam and peacebuilding (pp. 169-187). New York: Blue Dome Press.</li>
<li>Satha-Anand, C. &#8220;Three Prophets&#8217; Nonviolent Actions: Case Stories from the Lives of the Buddha, Jesus and Muhammad.&#8221; In Chaiwat Satha-Anand and Michael True (eds.), The Frontiers of Nonviolence. Honolulu: International Peace Research Association, 1998.</li>
<li>Ury, W. Getting to Peace: Transforming Conflict at Home, at Work, and in the World. New York: Penguin, 1999.</li>
</ul>
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		<item>
		<title>A Landscape of Beauty: the Alteration of Colors in Autumn</title>
		<link>https://fountainmagazine.com/all-issues/2010/issue-76-july-august-2010/a-landscape-of-beauty-the-alteration-of-colors-in-autumn/</link>
		
		<dc:creator><![CDATA[Louima Cunningham]]></dc:creator>
		<pubDate>Thu, 01 Jul 2010 00:00:00 +0000</pubDate>
				<category><![CDATA[Issue 76 (July - August 2010)]]></category>
		<category><![CDATA[autumn]]></category>
		<category><![CDATA[beauty]]></category>
		<category><![CDATA[chlorophyll]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[colors]]></category>
		<category><![CDATA[fall]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[green]]></category>
		<category><![CDATA[leaf]]></category>
		<category><![CDATA[Leafs]]></category>
		<category><![CDATA[leaves]]></category>
		<category><![CDATA[maple]]></category>
		<category><![CDATA[orange]]></category>
		<category><![CDATA[pigments]]></category>
		<category><![CDATA[process]]></category>
		<category><![CDATA[red]]></category>
		<category><![CDATA[Science]]></category>
		<category><![CDATA[sugar]]></category>
		<category><![CDATA[summer]]></category>
		<category><![CDATA[trees]]></category>
		<category><![CDATA[turn]]></category>
		<category><![CDATA[yellow]]></category>
		<guid isPermaLink="false">http://107.21.79.195/all-issues/2010/issue-76-july-august-2010/a-landscape-of-beauty-the-alteration-of-colors-in-autumn/</guid>

					<description><![CDATA[Every autumn we find ourselves in the beauty of a variety of colors. A mixture of orange, red, yellow, and purple appears in the trees as the seasons change from summer to winter. That is when we all enjoy the colors of the autumn leaves. However, have you ever wondered why and how an autumn [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Every autumn we find ourselves in the beauty of a variety of colors. A mixture of orange, red, yellow, and purple appears in the trees as the seasons change from summer to winter. That is when we all enjoy the colors of the autumn leaves. However, have you ever wondered why and how an autumn leaf changes color? Where do the yellow and orange colors of the leaves come from? Why do maple or acer leaves turn bright red while the leaves of other trees turn yellow? What is behind this wonderful, artistic, and delightful color transformation in autumn?</p>
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<p><img fetchpriority="high" decoding="async" class="resim size-full wp-image-6412" src="https://fountainmagazine.com/wp-content/uploads/2010/07/3-c19.jpg" width="250" height="255" /></p>
<p>In order to answer these questions, let’s first take a closer look at the nature of leaves and how they function. Simply put, leaves are nature’s food factories. During spring and summer the leaves serve as factories where most of the food necessary for tree growth is manufactured. The process of transforming water and carbon dioxide into sugar is called photosynthesis, which means literally “putting together with light” (Figure 1). This food-making process is performed by the chlorophyll molecules that are present in the leaf cells. Chlorophyll absorbs energy from sunlight. While the water is sucked in from the soil by the roots and carbon dioxide is inhaled through the pores of the leaves, chlorophyll synthesizes carbohydrates, such as sugars and starch. During winter, when this process cannot continue due to lack of light or water, the trees rest and live off the food they stored during the summer.</p>
<p><img decoding="async" class=" size-full wp-image-6413" src="https://fountainmagazine.com/wp-content/uploads/2010/07/3_1-00a.jpg" width="250" height="205" /></p>
<p>What is most astonishing is that it is again chlorophyll that gives the leaves their green color. Along with the chlorophylls (green pigment), spectrums of pigments, such as carotenoid, anthocyanin, and xanthophyll, give different colors to the leaves (Figure 2). When chlorophyll is abundant in the leaf cells, as it is during the growing season, the green color of chlorophyll dominates and masks the colors of any other coloring pigments that may be present in the leaf. Thus, the leaves of summer are characteristically green. When for some reason the number of chlorophylls decreases significantly, the color of other pigments paint the leaves, such as in the fall. For example, maple and acer leaves turn to bright red because of the carotenoid and anthocyanin pigments while sugar maple leaves turn yellow due to xanthophyll pigments.</p>
<h3><b>Time to change colors</b></h3>
<p>At the end of summer and the beginning of autumn, the length of days and the average temperature begin to decrease. Then the trees “know” that it is time to get ready for winter, their sleep-time, and the leaves stop making food. Since there is no longer a need for them, the chlorophyll molecules break down, and so the green color begins to fade. As we, the grieving viewers of this process, say farewell to the color of life, we are surprised by the splendor demonstrated by vibrant colors ranging from yellow to orange.</p>
<p>All these colors are due to the mixing of varying amounts of the chlorophyll residue and other pigments in the leaf becoming visible during the fall season. For the realization of this beauty, mixtures of pigments give rise to the reddish and purplish fall colors of trees such as dogwoods and sumacs, while others offer the sugar maple its brilliant orange or yellow. In some trees, like the maple, a red pigment will be formed in the fall if the days are warm and the nights cold. These trees produce sugar in the leaves during the day, but this sugar cannot move out when the nights are cold, and the leaf’s connections to the tree begin to break down. After that the high sugar concentration favors the formation of a class of pigments called anthocyanin, which is red. Thus, the leaves left out in the sunlight turn red through this process. The brown color of trees (like oaks) that appears after chlorophyll breaks down comes from plant wastes left in the leaves. The autumn foliage of some trees is only yellow, so it is the combination of all these things that makes the beautiful colors we enjoy in the fall.</p>
<p>Thanks to scientific research, today we know the details of leaf color change. The approximate size of these pigments is so small that hundreds of millions of them, put edge to edge, could measure only 1 meter. Isn’t it amazing how the beauty of autumn is exhibited through the hands of such small and blind painters?</p>
<p><em>Abdullah Akpinar is a graduate student in Planning and Landscape Architecture at Clemson University, Southern Carolina.</em></p>
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		<title>An Essay on Color</title>
		<link>https://fountainmagazine.com/all-issues/2001/issue-35-july-september-2001/an-essay-on-color/</link>
		
		<dc:creator><![CDATA[Louima Cunningham]]></dc:creator>
		<pubDate>Sun, 01 Jul 2001 00:00:00 +0000</pubDate>
				<category><![CDATA[Issue 35 (July - September 2001)]]></category>
		<category><![CDATA[black]]></category>
		<category><![CDATA[blue]]></category>
		<category><![CDATA[clothes]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[colors]]></category>
		<category><![CDATA[emotional]]></category>
		<category><![CDATA[eyes]]></category>
		<category><![CDATA[green]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[means]]></category>
		<category><![CDATA[orange]]></category>
		<category><![CDATA[people]]></category>
		<category><![CDATA[Psychology]]></category>
		<category><![CDATA[red]]></category>
		<category><![CDATA[tree]]></category>
		<category><![CDATA[turkey]]></category>
		<category><![CDATA[warm]]></category>
		<category><![CDATA[wear]]></category>
		<category><![CDATA[white]]></category>
		<category><![CDATA[yellow]]></category>
		<guid isPermaLink="false">http://107.21.79.195/all-issues/2001/issue-35-july-september-2001/an-essay-on-color/</guid>

					<description><![CDATA[Light reveals a world of colors by painting everything it touches. Our plain and soulless furniture gains meaning. Our brown bookshelf, gray study table, green mug carpets, rugs, curtains the yellow wheat fields in the harvest picture, the blue china vase, our favorite brown sweater the striking green of a tree surrounded by concrete buildings, [&#8230;]]]></description>
										<content:encoded><![CDATA[<blockquote>
<p><em>Light reveals a world of colors by painting everything it touches. Our plain and soulless furniture gains meaning. Our brown bookshelf, gray study table, green mug carpets, rugs, curtains the yellow wheat fields in the harvest picture, the blue china vase, our favorite brown sweater the striking green of a tree surrounded by concrete buildings, the blue sky, and the carousel of life that becomes worth living by being embellished with colors.</em></p>
</blockquote>
<p>Let&#8217;s travel through the wonderful world of colors. Each color conceals a story. Some virtuous and sensitive eyes see the truth through them, while others see rage, anger, and all the evils dictated by the alter ego. Colors carry such feelings as anger and hope, and symbolize such concepts as sinfulness and innocence. They are abused or sacrificed, and widely preferred or despised.</p>
<p>Literally, color is a phenomenon of light or visual perception that enables people to differentiate otherwise identical objects. Being one of matter&#8217;s distinguishing characteristics, in a sense its meanings are the meanings of life. As truth is interwoven with life, truth might be viewed through colors.</p>
<h3><b>Their Influence on People</b></h3>
<p>The most important aspect of color in daily life is probably the aesthetic and psychological responses that they evoke”our psychological perception”and the resulting influences on art, fashion, commerce, and even physical and emotional sensations. For example, reds, oranges, yellows, and browns are warm, whereas blues, greens, and grays are cold. Reds, oranges, and yellows are said to induce excitement, cheerfulness, stimulation, and aggression; blues and greens to induce security, calm, and peace; and browns, grays, and blacks to bring sadness, depression, and melancholy. However, we can only generalize about such subjective perceptions.</p>
<p>Age, mood, mental health, and other factors affect color perception. People sharing distinct personal traits often share color perceptions and preferences. For example, schizophrenics are said to have abnormal color perception, and very young children learning to distinguish colors usually prefer red or orange. Many psychologists believe that analyzing one&#8217;s use of and response to color reveals relevant physiological and psychological information. Some even suggest that specific colors have a therapeutic effect on physical and mental disabilities.</p>
<p>In China, India, and Japan, colors are used in alternative medicine. Orange is considered good for depression, yellow for diabetes, green for ulcers and spiritual fatigue, and blue-violet for epilepsy. What is important here is the body&#8217;s receptor of color, such as eyes or skin. Each color&#8217;s wavelength carries and transmits energy to the bodily part having that color. This energy removes physical and emotional disorders, and colorful rays directly influence the neural system. Thus, different illnesses are treated with different rays of colors having different tones and impacts.</p>
<p>Although these medical benefits are still in question, color does cause definite physical and emotional reactions. Rooms and objects that are white or have light shades of cool colors may seem larger than those with intense dark or warm colors. As designers and decorators know, black or very dark colors have a slimming or shrinking effect. A cool room decorated in pale blue requires a higher thermostat setting than a warm room painted pale orange to achieve the same sensation of warmth.</p>
<p>People viewing unusual colors produced by special illumination may experience headaches and nervous disorders. Tasty wholesome food served under such conditions appears repulsive and may induce illness. Other colors induce pleasure. When an affectively positive or pleasurably perceived color is viewed after a less pleasant color, it produces more pleasure than when viewed by itself. This effect is known as affective contrast enhancement.</p>
<h3><b>What Colors Have Experienced</b></h3>
<p>Colors are not universal. Some languages do not have separate words for green and blue or yellow and orange, whereas Eskimos use 17 different words for white to describe different snow conditions. Comparing color terminology reveals certain consistent patterns. All languages have designations for black and white.</p>
<p>If a third hue is distinguished, it is red; next comes yellow or green, and then other colors.</p>
<p>Consider soccer fanatics who so love their team&#8217;s colors that they tear and burn the other team&#8217;s flag. They dye their hair and faces yellow-red, blue-white, or red-white to match their team&#8217;s colors, but cannot stand the opponent&#8217;s colors. They taunt the opposing team with clothes in their own team&#8217;s colors, even to the extent of injury or death. Most important, they gain identity, send a message, and enjoy the confidence that comes with belonging to a peer group.</p>
<p>Colors are gifts, not a cause of separatism. As sociologist Orhan Kologlu points out, people of different religions and nations chose different colors. In the Balkans, blue and white are considered to be Greece&#8217;s colors (its flag is blue and white). During conflicts, people do not use the colors of other nation&#8217;s flags. But this is emotional and irrational, for no nation owns a color. During a time of Turkish“Greek tension, red-white clothes were despised in Greece, and blue-white clothes in Turkey. Bulent Ecevit (current prime minister of Turkey) broke a taboo with his poem Blue Magic, which contains the lines: Like a blue magic, lies a warm sea between us / We are two nations, as beautiful as the other, at its shores. He also chose blue and white as his political party&#8217;s colors. Ironically, this party whose emblem is in Greek (!) colors now is now in power Turkey.</p>
<p>A nation&#8217;s color choices change over time. Ancient Turks considered blue as sacred, for it was the color of the sky. Some Turkic nations still use it as their national color. In medieval Europe, blue stood for nobility and aristocracy, and the latter were believed to have blue blood. But in America, blue is associated with low spirits, melancholy, and depression (a blue funk). For women it means learned and intellectual, while in morality it means puritanical. It also means profane or indecent (blue movies), off-color or risquÃ© (blue jokes), and a kind of music (the Blues) dominated by sad and melancholic themes.</p>
<p>Red and black are most commonly associated with sociopolitical conflict. For years red symbolized violence, pillage, murder, oppression, anti-democracy, and terrorism. In emotional terms, it means a face flushed with anger or embarrassment (red in the face), or bloody (red eyes).</p>
<p>In politics, it means inciting or endorsing radical sociopolitical change, especially by force, as in red uprising or anything associated with communism (the former USSR&#8217;s Red Square). There are even two Red armies: the Soviet army established after the 1917 Revolution, and the Japanese Red Army formed in 1969. The first was renowned for its strict penal codes and discipline, such as punishing battalions by sending them on suicide missions. New regulations in 1960 considerably lightened the Soviet Army&#8217;s redness. The second army, a small-structured Japanese terrorist organization, remained active until 1990.</p>
<p>Italy&#8217;s Red Brigades, an extreme left-wing terrorist organization, chose red and violence as it sought to prepare 1970s Italy for a Marxist uprising. Chinese revolutionaries seeking to end China&#8217;s traditional culture chose red and violence, as did Cambodia&#8217;s radical Khmer Rouge (Red Khmers). This latter group massacred an entire generation, an estimated 1.5 million people out of an estimated population of 5.7 million, during their 3.5-year reign. </p>
<p>It is used for heavy or serious (black intrigue); dirty and soiled (black hands); thoroughly sinister, evil, or wicked (black deed); negative (a black mark in one&#8217;s record); the supernatural or Satan (black magic); very sad, gloomy, or calamitous (black despair); a disaster (black Saturday); hostility, angry discontent, sullenness (black resentment); grim, distorted, grotesque satire (black humor); or covert intelligence operations (black government missions).</p>
<p>Although we associate black with negative meanings, we cannot deny that it also symbolizes seriousness, respectability, and nobility. There are occasions when white, the symbol of purity and innocence, is inappropriate says social psychiatrist Ibrahim Ballioglu. Colors should be used with the proper tones and combinations. He claims that it is logical to associate white with positive and black with negative concepts. Black and white are like night and day. The dark of night scares people, whereas the light of day relieves them. The colors hidden at night come forward in daytime. People are inclined to like light and bright colors. We apply white light in our depression patients&#8217; therapy. One&#8217;s interest in dark colors gives clues about one&#8217;s mood. A patient&#8217;s wearing white signals that he or she is getting well.</p>
<p>In history, such groups as the Black Hand,1 Black Faces, and Black Shirts favored violence and vandalism. Mussolini&#8217;s fascist Black Shirts group is the most interesting. After his overthrow 1943 and the Black Shirts&#8217; dismissal, people avoided wearing black shirts.</p>
<p>White means free of color; light or pallid (white hair, lips white with fear); without spot, blemish, or moral impurity; innocent or chaste (white wedding); harmless (white lie, white magic); and favorable or fortunate (white days of life). It also means politically conservative or reactionary people who undertake counter-revolutionary measures (white terror). In music, it is associated with a musical tone quality characterized by a controlled pure sound and a lack of warmth, color, and resonance.</p>
<p>Green means mild and clement (green winter); pleasantly alluring; youthful and vigorous; not ripened or matured (green apples, tender green grasses); fresh and new; marked by a pale, sickly, or nauseated appearance; envious (green with envy); somehow deficient or unsophisticated; and an environmentalist political movement (Green Peace) or individual working to preserve environmental quality.</p>
<p>Yellow is associated with sensationalized scandal items or distorted ordinary news (yellow journalism), and cowardice (a yellow streak up one&#8217;s back). Pink signifies moderately radical and usually socialistic political or economic views, as well as emotional excitement (tickled pink).</p>
<h3><b>Do Nations or Religions Have Their Own Color?</b></h3>
<p>Color harmony, preferences, symbolism, and other psychological aspects are culturally conditioned and vary with time and place. For instance, American and Japanese concepts of warm and cold colors are essentially the same. However, Japanese consider blues and greens good and the red-purple range bad, while Americans consider the red-yellow-green range good and oranges and red-purples bad. In the West, black signifies mourning; other cultures use white, purple, or gold.</p>
<p>Orhan Kural says that societies tend to use colors that comply with their culture and belief: In Indonesia&#8217;s Banggai Islands, people believe that their ancestors arrived in brown canoes. Their houses look like brown-painted canoes. They sacrifice a water buffalo and hang its head at their doors to make funerals more elaborate. During these rituals they wear red. Since the streets are filled with blood, red is dominant in their culture. In Mongolia, green is dominant. Mongolians has five times as many animals as people. I think they paint their tents and furniture green due to their love of animals and nature. In Guatemala, the Spanish invaders forced each clan to wear a different color in order to differentiate them. This seems to be welcomed and accepted by the people, for it remains in force. All women I saw in the bazaars wore the same color. The city of Varanasi in India and the sacred Ganj river reminds me of orange, and the Taj Mahal reminds me of white.</p>
<p>Nevval Sevindi, who lived in Iran for some time, says that Iranians consider black to be holy and noble. According to her, Iranians and Westerners both see black as a symbol of mourning. Iranians use black to commemorate their Imams, and Westerners wear it at funerals and to commemorate their saints.</p>
<p>It seems that they are always mourning, since they keep Karbala&#8217; alive in their memories.2 Red is a color of disgrace in Iran. However in Turkey, China, and India, red is the color of weddings. In Turkey, the bride wears a red veil over her head on the eve of the wedding day and a red belt on the wedding day. Women wear a red ribbon after giving birth. Red means a new future and abundance. Turks do not consider black the color of mourning. They attend funerals in ordinary clothes, for death is an ordinary part of life. Africans and Asians like to wear many colors. I associate this with their living in bright and sunny countries and within nature. Sunlight affects their clothes and moods. Violet is the Byzantine Empire&#8217;s color, for only the emperor wore it. This tradition continued after the emperor&#8217;s death, for his grave was built with violet porphyry stones, says Sevindi.</p>
<p>Tumulus-hillock excavations in Tekirdag, Turkey, reveal that Alexander the Great&#8217;s father wore mostly purplish colors, like that of a judas-tree. Maybe this is why Byzantine emperors valued purple tones so much. Other researchers give different reasons. For instance, historian Haluk Dursun states: There is a belief in Christianity: Judas Iscariot, one of the 12 apostles of Jesus Christ, betrayed him at the Last Supper. Romans arrested and crucified Jesus. Judas, full of regret, hung himself from a tree full of white flowers. This tree felt so ashamed that it reddened. Hence it is called judas-tree. It also is said that the Byzantines recaptured Constantinople from Latin invaders when the judas-trees were blossoming, and so value this color.</p>
<p>Do religions have colors? Yes and no. Muslims favor green, as the covers of tombs and sarcophagus are green, and green is common in mosque decorations. Otherwise, Islam does not have its own color. Perhaps people associate green with Islam because Prophet Muhammad liked green, as it relaxes the eyes and connotes nature. In fact, he advised people to dress in plain and clean color-compliant clothes that would please the eyes.</p>
<p>Eastern Orthodox priests dress totally in black and wear a black cap. But this is probably not a religious color, for black is favored by Catholic priests and nuns as well, maybe for its simplicity and sobriety. Some Protestant (e.g., Lutheran) priests wear white or gray, which might be a reaction to the Catholic Church. Also, many Orthodox Jewish sect members wear long black coats and hats, usually during religious or important events to signify the occasion.</p>
<h3><b>Conclusion</b></h3>
<p>Colors are used for many purposes, ranging from medicine to art, politics to anthropology. They are an indispensable ingredient of our lives. But no matter how they are used, the best use of colors is observed in the works of the Great Artist.</p>
<h3><b><em>Footnotes</em></b></h3>
<ol>
<li>The Black Hand is associated with two groups: immigrant Sicilian and Italian extortion rackets in America&#8217;s Italian communities (roughly between 1890 to 1920), and a secret Serbian terrorist society that promoted the liberation of Serbs outside Serbia from Habsburg or Ottoman rule.</li>
<li>Karbala&#8217;: A place in southern Iraq where Imam Husayn&#8217;s forces were defeated and killed by the Umayyad caliph Yazid I in 680.</li>
</ol>
<h3><b>References</b></h3>
<ul>
<li>Akagunduz, Ulku Ozel. Freedom to Colors.</li>
<li>Zaman North America 267 (8 Nov. 1999).</li>
<li>Soylemez, Hasim. Diseases Are Treated by Colors. Aksiyon 242 (24-30 June 1999).</li>
<li>Sahin, M. A. Truth through Colors (Izmir: 1992).</li>
<li>www.britannica.com/bcom/eb/.</li>
<li>www.m-w.com/cgi-bin/dictionary (especially the shades of meaning for different colors).</li>
</ul>
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		<item>
		<title>Music of Rain</title>
		<link>https://fountainmagazine.com/all-issues/1996/issue-13-january-march-1996/music-of-rain/</link>
		
		<dc:creator><![CDATA[The Fountain]]></dc:creator>
		<pubDate>Mon, 01 Jan 1996 00:00:00 +0000</pubDate>
				<category><![CDATA[Issue 13 (January - March 1996)]]></category>
		<category><![CDATA[blue]]></category>
		<category><![CDATA[brings]]></category>
		<category><![CDATA[drop]]></category>
		<category><![CDATA[drops]]></category>
		<category><![CDATA[earth]]></category>
		<category><![CDATA[fall]]></category>
		<category><![CDATA[fragrance]]></category>
		<category><![CDATA[green]]></category>
		<category><![CDATA[heavenly]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[Literature & Languages]]></category>
		<category><![CDATA[masses]]></category>
		<category><![CDATA[mountains]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[open]]></category>
		<category><![CDATA[orange]]></category>
		<category><![CDATA[rain]]></category>
		<category><![CDATA[seeks]]></category>
		<category><![CDATA[skies]]></category>
		<category><![CDATA[smiles]]></category>
		<category><![CDATA[worlds]]></category>
		<guid isPermaLink="false">http://107.21.79.195/all-issues/1996/issue-13-january-march-1996/music-of-rain/</guid>

					<description><![CDATA[Drops of rain,as if smiles from the worlds beyond, Travel here and there seeking the seas they parted from. They fall with the sound of plucked lute-strings; And hearing it, the earth begins to breathe. Drops of rain float down with the grace of butterflies, As if arranging some meaning in most rhythmic verse. They [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Drops of rain,as if smiles from the worlds beyond,</p>
<p>Travel here and there seeking the seas they parted from.</p>
<p>They fall with the sound of plucked lute-strings;</p>
<p>And hearing it, the earth begins to breathe.</p>
<p>Drops of rain float down with the grace of butterflies,</p>
<p>As if arranging some meaning in most rhythmic verse.</p>
<p>They resonate in the ear like a sweet melody,</p>
<p>And skies seem to weep for the grass on earth.</p>
<p>Each drop has said farewell to its heavenly life,</p>
<p>And returns to its origin, which is a roaring ocean.</p>
<p>Everything on earth holds still to listen to rain;</p>
<p>Each drop descends to the ground like an angel.</p>
<p>Eyes seeing the rain fall in such thrilling harmony</p>
<p>See worlds beyond this world come into view.</p>
<p>The skies rejoice with smiles observed everywhere;</p>
<p>Everyone is enchanted by the heavenly rhapsody.</p>
<p>Vapour rises in masses as great as mountains,</p>
<p>Then it seeks the green, blue and orange on earth.</p>
<p>Rain always brings down a peculiar contentment;</p>
<p>And carries fragrance of Paradise and exhilaration.</p>
<p>That fragrance pervades everywhere, deep into the soul,</p>
<p>Earth awakens to life and flowers burst open.</p>
<p>The whole of creation finds peace and serenity,</p>
<p>The window open to the realms beyond becomes visible.</p>
<p>***</p>
<p> </p>
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