We all may appreciate the difference between the positive impact made by a smile of pearly-white teeth and the repulsion triggered by yellowed and blackened rotten teeth, but the health issues run much deeper: as our medical knowledge grows, we are discovering that many diseases originate from dental cavities where microbes teem and nest, causing inflammations in many organs and tissues, most notably in the heart, kidneys, and joints.

The use of herbal sticks for cleaning teeth dates back to around 3500 BC, the time of the Babylonians. In several works of Ancient Greek and Roman literature, chewable sticks to aid dental and mouth hygiene are mentioned [1]. Hippocrates (355 BC) advises rubbing a ball of cotton wrapped around a stick and dipped in honey on teeth, to maintain dental hygiene, whereas Romans used pastes obtained from gumwood [2]. Dental hygiene is coming throughout history.

Arabs utilized the miswak for many years [3]. The Japanese used wooden sticks called “koyoji” and Jews used wooden sticks called “kesam.” In the 1920s, in some rural areas across the United States, a stick of blood-twig was used for rubbing on the teeth [3]. And according to a Chinese encyclopedia published in the seventeenth century, the first-ever toothbrush was made in China, in 1498.

Prophet Muhammad, peace be upon him, warned those of his Companions who visited him with bad teeth about the need for dental hygiene (Ahmad ibn Hanbal, Musnad 1/214):

“I oft reiterated my recommendations to you about the miswak.” (Bukhari, Jum’a 8; Nasai, Taharah 5; Ahmad ibn Hanbal, Musnad 3/143; Darimi, Wudhu’ 18)

“(The Archangel) Gabriel counseled me to use the miswak so much that I thought a verse might be revealed about the miswak to decree its use as obligatory for all.” (Ibn Majah)

Obviously he assigned the utmost importance to dental hygiene. It should be noted here that the Araq tree (Salvadora persica) from which the miswaq is obtained has features that are not present in other trees, and the Prophet particularly specified using the roots of that tree as the miswak.

Research has been conducted to discover the scientific and modern medicinal effects of the miswak, which has been used by Muslims in adherence to the Prophet’s practice. In 2010, a Ph.D. study at Karolinka Institute, Sweden, provided a significant message about its effectiveness [4] (Picture 1).

The Araq tree, which is used as the miswak across a geography spanning from Africa to the far east, is a short tree or bush with a slanted trunk, and it is easy to chew its spongy roots, parts of which generally expand and soften when dipped in water (Picture 2).

The roots of the Araq tree are washed to remove the soil, and approximately 1 cm from the tip of the root stick is peeled to be used as the toothbrush. The stick is pummeled or chewed until the fibers become softer (Picture 3). Fresh and soft miswak are preferable: If the miswak is dry, it is advised to dip it in freshwater for 24 hours before use. It is better to peel frequently, so the tip is renewed. The most practical advice is to use the peeled tip until it loses its tang and fragrance, because the fragrant components indicate the beneficial effect of the miswak. According to a study, using the same tip for more than 24 hours lowers its cytotoxic ability to get rid of microbes.

The practice of using miswak in the Muslim World is widespread in Asia, Africa, and some regions in the Middle East. As many Muslims opt for miswak use to maintain a practice of the Prophet, the World Health Organization (WHO) also advises and encourages the use of miswak as an effective dental hygiene tool along with the conventional toothbrush. The miswak is easy to use and effective; it also has chemical properties that help control dental plaque. Based on the basic information we have about the miswak, we can easily say that deeper research is needed for its different components, like its fibers, essence, and essential oils.

Antibacterial effects of the miswak

The antibacterial activities of the essences obtained by crushing different roots of the miswak have been analyzed by microbiological techniques. It was discovered that the miswak essence has a very strong antibacterial effect, predominantly against Gram-negative bacteria, including mouth-cavity microbes like Porphyromonas gingivalis and Aggregatibacter actinomycetemcomitans. Two additional studies conducted on five different types of bacteria i.e. Streptococcus mutans, S. faecalis, S. aureus, Haemophilus influenzae, Salmonella enterica, and Candida albicans, and a type of fungus [5, 6, 7, 8] revealed that the miswak essence stops the reproduction of micro-organisms, has a lower effect on Lactobacillus acidophilus, is active against Herpes simplex virus which causes blistered lesions, and suppresses acid production.

The essential oil obtained from miswak essence includes 70% benzyl isothiocyanate, 9.4% limonene, 8.7% I-pinene and 2.55% flavonoid. As the miswak’s main antibacterial component, benzyl isothiocyanate kills bacteria by forming protrusions on their cell membranes. The volatile nature of this substance may open doors to new practices requiring antibacterial treatment. It has been proven that fresh miswak is effective at preventing the formation of dental plaque and gum inflammation, and it has also been acknowledged that it may play a potential role in preventing periodontal diseases.

The miswak essence hinders acidic (pH) conditions causing tartar and dental plaque, leads to a long-term increase of pH in the mouth, stimulates saliva flow in the parotid glands (located in front of both ears), and prevents tartar formation.

It is necessary to conduct further lab and clinical research to augment the positive results shown so far about the effects of the miswak against the inflammation of the palate and gums, as well as its antiviral and antifungal activities. Some research has additionally suggested that the miswak has antioxidant, analgesic, and anti-inflammatory effects. It is claimed that potassium chloride, salvadourea (a urea derivative), alkaloids, and oleic and linoleic acids in the miswak sap increase the viscosity of saliva, helps it to soak into hard-to-reach corners in the mouth, and contributes to overall dental hygiene. It is reported that a substance named Xylitol in the miswak essence suppresses acid production and the reproduction of mutant streptococci [9, 10].

An interesting substance in the miswak oil

Benzyl-isothiocyanates are effective molecules in the defense systems of several plants such as cabbage, watercress, and broccoli. Secreted after damage to plant tissues, benzyl isothiocyanate forms a protective antibacterial layer on the damaged part of the plant. While dental plaque and tartar are mechanically removed by rubbing the miswak on teeth, this action also helps the substance secreted from the miswak reach deeper parts of the oral cavity. It is especially proven that benzyl isothiocyanates are strongly effective as bactericide on Gram-negative bacteria and have minimal effect on Gram-positives.

Lab tests conducted on animals indicate that these components also have anti-carcinogenic activity, and people who get isothiocyanates by nutrition have a lower risk of cancer. It is fascinating that the miswak, too, has the same substance.

While introducing a new set of ethical principles, Prophet Muhammad, peace be upon him, revoked some customs and habits inherent to the pagan culture before Islam (Age of Ignorance) and kept others. Using miswak was a practice among the Arabs in the region; the Prophet encouraged its use and emphasized its benefits. Eventually, Muslims have adopted it as not only a habitual practice, but also as a healthy spiritual activity and are keeping the memory of the Prophet alive.

References

1. Wu, C.D., Darout, I.A. and Skaug, N. (2001): Chewing sticks: timeless natural toothbrushes for oral cleansing. Journal of Periodontal Research 36, 275-84.
2. Hyson, J.M., Jr. (2003): History of the toothbrush. Journal of the History of Dentistry 51, 73-80.
3. Bos, G. (1993): The Miswak, an aspect of dental care in Islam. Medical History, 37, 68-79.
4. Sofrata, A. H. (2010): Salvadora persica (Miswak). An effective way of killing oral pathogens. Thesis for doctoral degree (Ph.D.). From the Division of Periodontology, Department of Dental Medicine, Karolinska Institutet, Stockholm, Sweden.
5. Al-Lafi, T. and Ababneh, H. (1995): The effect of the extract of the Miswak (chewing sticks) used in Jordan and the Middle East on oral bacteria. International Dental Journal, 45, 218-222.
6. Almas, K., Al-Bagieh, N. And Akpata, E. (1997): In vitro antimicrobial effect of extracts of freshly cut and 1-month-old miswak (chewing sticks). Biomedical Letters, 56, 145-149.
7. Almas, K. (1999): The antimicrobial effects of extracts of Azadirachta indica (Neem) and Salvadore persica (Arak) chewing sticks. Indian Journal of Dental Research, 10, 23-26.
8. Almas, K. (2001): The antimicrobial effects of seven different types of Asian chewing sticks. Odontostomatolgie Tropicale, 24, 17-20.
9. Kakuta, H., Iwami, Y., Mayanagi, H. and Takahashi, N. (2003): Xylitol inhibition of acid production and growth of mutans Streptococci in the presence of various dietary sugars under strictly anaerobic conditions. Caries Research, 37, 404-409.
10. Miyasawa, H., Iwami, Y., Mayanagi, H. and Takahashi, N. (2003): Xylitol inhibition of anaerobic acid production by Streptococcus mutans at various pH levels. Oral Microbiology and Immunology, 18, 215-219.

It was 3 o’clock in the morning. The rain outside beat on the windows and the loud thunder ripped through the night. A loud knock on the door startled the boy. All alone in the mansion, he was not really expecting anyone this late. But the stranger insistently knocked on the door. The boy got up hesitantly and grabbed the doorknob with shaking hands… Flash forward. He woke up with a scream, drenched in a pool of sweat. “Thank God, it was all a dream.”

I turned off the TV, feeling a mix of boredom and hunger gnawing hunger at the pit of my stomach. I headed down to the kitchen to grab a bite.

The world is full of wonders. We are amazed at how fish swim or how birds fly; by imitating their systems, we attempt to swim or fly. One of our most precious attributes is curiosity. Once I attended an exhibition associated with a popular movie. I was amazed at the power of human imagination and the dreams it can conjure, turning them into reality. The props and costumes used in this movie were displayed lavishly for the curious eyes of the fans and the flash of the cameras. We, as human beings, were being entertained with the products of the human imagination. Even the flow of events that happened at the exhibition, the flashing cameras, the décor and costumes, which seemed so important at that time, were all a design of the human imagination; they were not real. As the actors and actresses took on the personalities of their characters, they not only assumed the role of a movie character, but also became a player in a man-made dream world. We followed the entertainment with curiosity and interest. The characters, the story, the costumes, the light, and sound: all this captivated our attention. As the glow of the entertainment slowly faded off, I began to feel that this popular movie and even the exhibition itself existed within another movie… a more real movie in which we all played our roles.

My favorite pieces in the exhibition were the “magically alive” animated portraits. I couldn’t help but smile when I saw the people in the portraits applauding us, as if we had accomplished some feat. I liked the idea of animated portraits and photos. A picture is ultimately just a 2D image, but an animated image encompasses a third dimension: time. A movie’s ability to capture the charm of time is what appeals to us and captivates our attention.

Early in the morning, I glanced out my window and noticed the autumn leaves falling from the tree in my back yard. About two or three weeks ago they were all green, but now the scene had completely changed. Tinted with different shades of orange, yellow, red and purple, the leaves ruffled on their branches with the whoosh of the light breeze.

I imagined that my window was an animated picture inside my home. There was someone insistently striking His brush against my easel, coloring this picture day by day, moment by moment, and giving it motion for me, making me feel the changes He brought about. Filled with these wondrous thoughts, words fell out of my mouth: “He is truly a magnificent artist.” At the moment, I recalled what the lead character in a movie had said as he looked, bewildered at the harmony of colors in the sky during sunset: “God must have been an artist.”

In order to make an animated picture or create a video sequence, the consecutive pictures or “frames” of a scene must be joined together. If the difference between the capture times of two consecutive frames is too long, the video will not run smoothly, stuttering like an old silent film, with intermittent flickers. Modern day movies use a larger number of frames per unit of time. The greater the number of frames, the smoother the images will appear. When I focused my attention on this outside “movie,” a movie in which I was an actress along with the rest of humanity, I couldn’t help but wonder what the number of frames was. Since we are living in a “perfect” movie, the movie of our world that we see through our eyes everyday must have an infinite number of frames. I contently followed the descent of a snowflake onto my hand. It made me admit once again that we’re part of a great cinematography and screenplay. The producer is not only an artist who covertly paints the pictures with His gentle brush strokes, but is also someone who strings an infinite number of picture frames with great skill and attention to detail, creating the perfect animation of “life.”

Imagine the animation of a falling bird feather; one would need to perform an enormous number of calculations between the sequences of frames. It would be necessary to run many computers in parallel to be able to process such animation in real time. Then I used this same information and applied it to the scene of the falling snowflake. Contemplating the details of each moment within that scenario and considering each moment to be a single frame helps you appreciate the complicated task of stringing these frames together in real time.

When you see a man inscribing circles with a light source you actually see a circle of a light. In fact, you perceive it as a circle because of the speed and the continuity of the motion. Life is analogous to that imaginary circle; it exists because of the continuity of the artist’s efforts. Yes, life as a “perfect” movie is similar to the continuity of this circle of light, because the artist’s magnificent skills continuously color and illuminate each picture frame, stringing them together in a perfect fashion.

Wait, wait, it doesn’t end here. I close my eyes; it is easy for me to see things that happened years ago in all their details. The time I dropped my ice cream on my favorite shirt when I was five, the gift that my brother gave me on my thirteenth birthday, the day I graduated from college… like a movie, I can watch all these whenever I like. This illustrates another issue in video processing, storing the videos, in other words, the frames, in an efficient way so that they can be accessed promptly when needed. I already have a good technique to store the story of my life in my memories. Moreover, in order to remember any sequence, all I need to do is just remember a small detail of the time, an event, or a memento. This is the fastest content-based image retrieval system I have ever seen! No moment of life is wasted and all is saved somewhere, providing relief for the human heart, which is helplessly attracted to eternity. Any art necessitates an exhibition and an audience. Then there must be a place and a time in which the whole movie will be watched again by the audience.

My brain not only stores my memories as videos, but also creates videos as I dream. These are mostly movies in the making; because I can do everything in my dreams, they do not need to be logical. I heard the phrase “Dream Theater” and I smiled. What else can one call a dream other than a grand theater full of surprises? Moreover, although the length of time that a dream takes up is not that long, it still contains a sizeable story that takes up days of real life. It’s one rabbit warren inside another.

As the rain hits the Boston ground, I look outside my window at my moving picture. Through this open window, I also hear the pitter-patter of the falling rain. The smell of wet soil seeps into my room. I shut my eyes and I can repaint the entire picture, using nothing but sounds and smell. What kind of magic is this? I cannot stop myself as I think about Him, the Producer of the real movie of my very existence. After all, I know that He loves me. No matter how busy I am watching man-made movies inside the real movie, I feel the presence of the true artist always with me and the imprint of His ever-lasting art in every moment of my life.

Did the Companions of the Prophet go to America?

Research conducted in the West during the twentieth century has proven the existence of Muslims on the American mainland approximately seven centuries before Christopher Columbus. Similarly, archeological excavations, linguistic, and philological analyses of languages and settlement names in the region, the fact that coins, household tools and other utensils were discovered there that were similar to those of the Abbasids in the eighth and ninth centuries are all justifications of the theory that Muslims, beginning from 650 CE, made their way to the continent for settlement, during which time they erected mosques and schools, leaving a prolonged impact on the natives, i.e. American Indians.

The Islamic sources carry no information as regards Muslim settlement in America, although research undertaken by Professor Barry Fell of Harvard University confirms that Muslims reached the continent at the time of Uthman, the third Caliph, concomitantly indicating the significant possibility that some of the Companions could have arrived there as well.

Many Western researchers acknowledge the famous map of Piri Reis as proof of Muslim presence in America long before the endeavors of Columbus, as it minutely comprises the map of America, as well as extremely accurate measurements of the distance between America and Africa.

According to Salvatore Michael Trento, former director of the Center for Archeological Research in Middletown, New York, before embarking on his first voyage to America, Columbus had read the book of Roger Bacon of Oxford University, which comprised information, compiled from a variety of Arabic resources, about geographical regions on the other side of the Atlantic; hence Columbus’ previous knowledge of the islands in the Atlantic Ocean and other places.1

Proofs in Western sources

1. Professor Barry Fell, retired lecturer from Harvard University and also a member of the American Academy of Science and Arts, the Royal Society, the Epigraphy Society and the Society of Scientific and Archeological Discoveries, is adamant about the arrival of Islam in America in the 650s,2 predicating this argument upon the Cufic calligraphy belonging to that era found in various diggings across America. If the words of Professor Fell have truth-value, then the Muslims had arrived in America during the era of Uthman, or at least that of Ali, the fourth caliph. Such information, however, is not found in Muslim sources.

Professor Fell again uses the results of various archeological diggings undertaken across many regions in the states of Colorado, New Mexico, and Indiana to assert the construction of Muslim schools during 700-800 CE. Writings, drawings, and charts inscribed on rocks discovered in the most remote and untainted terrains of Western America are relics bestowed by the elementary and intermediate systems of Muslim education at the time. These documents were written in the old Cufic letters of North African Arabic, covering subjects such as reading, writing, arithmetic, religion, history, geography, mathematics, astronomy, and navigation. The descendants of these settlers are thought to be the current native tribes of Iroquois, Algonquin, Anasazi, Hohokam, and Olmec.

2. The second evidence offered by Professor Fell is that the inscription of “In the Name of God” (picture 1), found on a rock during archeological work in Nevada, belongs to the seventh century, when the haraka sign system had not yet been developed. Likewise, the stone bearing the inscription “Muhammad is the Prophet of God” (picture 2) is pertinent to the same era. As seen by comparison of the two pictures, the inscriptions are not in the style of Modern Arabic; conversely they are in a Cufic style relevant to the seventh century.3

The Arabs, according to the findings of Professor Fell, settled in Nevada during the seventh and eighth centuries. The earlier existence of a school, which taught Islam and science, particularly navigation, has come to light following the archeological investigation undertaken by Professors Heizer and Baumhoff of California University around site WA 25 in Nevada. The excavations in Nevada have uncovered writings in Naskhi Arabic and Cufic style that are inscribed on rocks which carry information about this school (picture 3). The application of the mathematical formula “five diamonds equal an alif” (alif is the first letter of Arabic alphabet) may be seen in this picture (pictures 3b and 3c). The Arabic letters in pictures 3b and 3c, found amid excavations in Nevada, are in exactly the same style as North African Arabic. Again similarly, another rock was found in Nevada bearing the name “God”, the style of which is yet again reminiscent of the prevalent technique of seventh and eighth-century North Africa. The calligraphical similarities between various writing styles of the Prophet’s name over diverse periods, particularly those relating to Africa and America, found during archeological investigations are striking indeed. Figure A of picture 4 was found in al-Ain Lahag, Morocco and figure B in East Walker River; both are currently at the University of California. Figure C was discovered in Nevada and figures C and D were located in Churchill County and are also currently preserved at the University of California; likewise figure F was discovered in al-Haji Minoun, Morocco, while figure G, inscribed on ceramic, was revealed in al-Suk, Tripoli, Libya and figure H, at the University of California, was discovered at Cottonwood Canyon, while finally figure I was located on the border of Morocco and Libya. All these inscriptions belong to the eighth and ninth centuries, clearly illustrating the resemblance in style between North America and North Africa, as well as overtly suggesting a migration that occurred from Africa to America.

3. In the twelfth century the Athapcan Tribe, comprised of native Apaches and Navajos, raided the area inhabited by the Arabs, who either ended up fleeing or were exiled toward the South. These illiterate natives were spellbound by the schools founded by the Arabs, and, perhaps with the assistance of captives, attempted to imitate the same subjects, transforming the geometrical shapes into mythical beasts, which carried on for centuries.

4. Picture 5 is the Cufic writing found in 1951 in the White Mountains, close to the town of Benton on the border of Nevada. The words Shaytan maha mayan, i.e. the Devil is the source of all lies, have been written in a Cufic style peculiar to the seventh century.

5. Once more, a rock inscription belonging to post-650 CE, bearing the Cufic letters H-M-I-D of the word Hamid (picture 6), is another Arabic script discovered on the Atlata rocks in the Valley of Fire in Nevada.

6. While traveling from Malden to Cambridge in the state of Massachusetts in 1787 (on what is now RT. 16), the Reverend Thaddeus Mason Harris noticed some coins discovered by workers during road construction. The workers, not putting much value on these coins, presented him with a handful. Consequently, Harris decided to send these coins to the library of Harvard College for examination (picture 7). The study yielded that these were in fact Samarqand dirhams from the eighth and ninth centuries. As can be seen in the picture, the coins manifestly display the inscriptions La ilaha ill-Allah Muhammadun Rasulullah (There is no deity but God, and Muhammad is His Messenger) and Bismillah (in the name of God).

7. Picture 8 shows a piece of rock discovered in a cave in the region of Corinto in El Salvador, bearing the inscription Malaka Haji mi Malaya; this has been identified as belonging to the thirteenth century, suggesting a possible arrival of Muslims in South America, perhaps coming from somewhere near Indonesia.

7. During his second voyage, Columbus was told by the natives of Espanola (Haiti) of black men who had appeared on the island before him and they showed him the lances that had been left there by these Africans to support their assertions. The tips of the lances were of a metal, an alloy of gold, which they called guanin, a word which is semantically remarkably similar to the Arabic word ghina, meaning richness. Columbus had in fact brought some of this guanin back to Spain, recording that it was composed of 56.25% gold, 18.75% silver and 25% copper, ratios that were prevalent in African Guinea as standards for the processing of metals.

8. On his third voyage to the New World, Columbus visited Trinidad, where the sailors noticed the symmetrically patterned cotton and colorful handkerchiefs of the natives. Afterward, Columbus realized that the handkerchiefs, which the natives called almayzar, were all much the same in color, style, and use as the headscarves and waist bands used in Guinea. The word almayzar is Arabic, and denotes a cover, tie, apron, or skirt, and is a component of the regional costumes of the Moors, Arabs and, Berbers of North Africa, who had conquered Spain in the eighth century. Columbus observed that the local women wore cotton garments and wrote in astonishment that they had learned of the concept namus, i.e. chastity. In much the same vein, Hernan Cortes, another Spanish explorer, later recorded that the clothing of local women consisted of long veils and skirts decorated with ornaments that were similar to those of the Moors. Ferdinand, Columbus’ son, was also quick to notice the resemblance between the cotton dresses of the natives and the ornamented shawls fashioned by Moorish women in Granada. The cradles used by the natives, furthermore, very closely resembled those of North Africa.

9. Columbus recorded on 21 October 1492 that he had noticed a mosque on top of a mountain while sailing around Cibara on the northeast coast of Cuba. Relics of mosques carrying Qur’anic inscriptions on their minarets have been found in Cuba, Mexico, Texas, and Nevada since these times.

10. Leo Weiner, a well-known Harvard historian and linguist, stated in his book The Discovery of Africa and America, written in 1920, that Columbus was aware of the existence of Mandinka, an ethnic group of West Africa, in the New World. The same book also affirms that Columbus was aware that West African Muslims were living across North America, including the south, middle regions and Canada, as well as in the Caribbean, and that they had marital and commercial ties with the native tribes of Iroque and Algonquin.

11. A preponderance of the voyages embarked upon by Columbus and other Spanish and Portuguese explorers toward the other side of the Atlantic were undertaken only in the light of the geographical and navigational knowledge prepared by Muslims. Al-Masudi’s (871-957 CE) work Muruj’uz-Zahab, for instance, was written with this sort of data compiled by Muslim traders from across Africa and Asia. Two of Columbus’ captains on the first voyage, in actual fact, were Muslims: Martin Alonso Pinzon was in charge of the Pinta, while his brother Vicente Yanez Pinzon was the designated captain of Nina; both were from the Moroccan Marinid dynasty, descendants of Sultan Abu Zayan Muhammad III (r. 1362-1366). Formerly well-to-do ship riggers, they assisted Columbus in organizing his voyage of exploration, preparing the Santa Maria, the flagship, and covering all its expenses.

12. Christopher Columbus has recorded the custom of nose piercing, which used to be and still popular in the Middle Eastern and Arab countries, as being prevalent in some islands across the Atlantic also mentions the writing of letters in Arabic.

13. In the account of sixteenth century missionaries in America, the local copper mines, found particularly in Virginia, Tennessee, and Wisconsin were not operated by the natives, but instead by people from the Middle East, towards whom the natives nurtured a profound sympathy.

14. A sum of 565 names, 484 in America and 81 in Canada, of villages, towns, cities, mountains, lakes, rivers and etcetera, are etymologically Arabic, designated by locals long before the arrival of Columbus. Many of these names are in fact the same as names of Islamic places; Mecca in Indiana, Medina in Idaho, Medina in New York, Medina and Hazen in North Dakota, Medina in Ohio, Medina in Tennessee, Medina in Texas, Medina and Arva in Ontario, Mahomet in Illinois and Mona in Utah, are just a few noticeable names at the outset. A closer analysis of the names of native tribes will immediately reveal their Arabic etymological ancestry; Anasazi, Apache, Arawak, Arikana, Chavin, Cherokee, Cree, Hohokam, Hupa, Hopi, Makkah, Mohician, Mohawk, Nazca, Zulu, and Zuni are only a few.

House and building Structures

Archeological excavations conducted throughout North America and North Africa reveal a corresponding architectural resemblance between ninth century buildings. The structure of a Berber house of the Atlas Mountains, Morocco (picture 9), for instance, is exactly the same as that of a house in New Mexico (picture 10). The same similarity can be traced between the Castle of Montezuma discovered in Arizona and the remnants found in Mesa Verde in Colorado and the general structure of Berber buildings (picture 11-12).

The research undertaken by Professor Cyrus Thomas of the Smithsonian Institute shows that a small cabin built from piles of rock found in Ellenville, New York is virtually the same as the cabin, again of rock, found around Aqabah, Southern Arabia, both of which are thought to have been built around the start of the eighth century (picture 13).

Arabic words prevalent among natives prior to the arrival of Europeans

The pervasiveness of many Islamic words across the continent prior to European influx is verified by the following terms discovered in the regions currently known as New England and Nova Scotia, in America and Canada respectively. Fell pointed to some words as example of Arabic influence on Native Americans. All of the words listed below are derived from the Arabic language. However, time had eroded their original meanings and most are not used in Arabic today.

The last Muslim stronghold in Spain, Granada, fell just before the Spanish Inquisition was established in 1492. Non-Christians were forced to either convert to Catholicism to save themselves from the tyranny of the Inquisition or were exiled from the country. Documents exist which prove the existence of immigrant Muslims in Spanish America before 1550. In 1539 an edict from Spanish King Charles V was put into practice which forbade the immigration of Muslims to settlements in the West. This edict was later expanded to expel all Muslims from overseas Spanish colonies in 1543. The existence of Muslims in overseas islands and regions was known along with the fact that the Spanish king issued such an edict. Again, in many Islamic sources, it is noted that Muslims living in Spain and North Africa made overseas voyages during the Andalusia period. Scientific research on this subject will bring out many documents into the daylight, documents which have escaped the notice of both Muslims in America and those throughout the world, which will perhaps serve, in the future if not immediately, as a starting point for a re-evaluation of the history of America.

Notes

1. Trento, Salvatore Michael. The Search for Lost America, p.15 Penguin Books, New York: 1978.

2. Fell, Dr. Barry. Saga America, p. 190, Time Books, New York: 1980.

3. ibid. p. xiv.

4. ibid. pp. 332-333.

5. ibid. pp. 333-334.

6 ibid. p. 182.

7. ibid. p. 243.

8. ibid. p. 26.

6. ibid. p. 276.

7. Teacher, John Boyd. Christopher Columbus, p. 380, New York: 1950.

8. Columbus, Ferdinand. The Life of Admiral Christopher Columbus, p. 232 Rutgers Uni. Press, 1959.

9. Obregon, Mauricio. The Columbus Papers, The Barcelona Letter of 1493.

10. The Landfall Controversy, and the Indian Guides, McMillan Co., New York: 1991.

11. Weiner, Dr. Leo. Africa and the Discovery of America, Vol.2 p. 365-366 Philadelphia: 1920.

12. Obregon, 1493.

13. Trento, 1978, p. 23.

14. ibid. p. 29.

15. ibid. p. 65.

16. Fell, 1980. 250-252.

17. Trento, 1978, p. 15.

18. Fell, 1980. p. 400-403.

In this work we study a verse from the Qur’an, the 47th verse of the Sura al-Dhariyat (The Winds that Scatter), under the light of new discoveries in the field of astrophysics. We note that recent evidence about the accelerating expansion of the universe is also strongly consistent with this verse, although this has shocked the scientific community. In the last part of the article, we discuss possible relations of “metaphysical dimensions” and the concept of “the seven layers” with the word “sama” (translated in to English as “heaven”) as mentioned in the verse.

The existence of the universe is perhaps one of the greatest mysteries in science and philosophy. No convincing argument has been ever put forward that has enabled us to understand this amazing event, not since the beginning of modern science. Religions like Islam, Christianity, and Judaism, on the other hand, explain that the Creator built our robust universe directly out of physical nothingness, independent of any cause. Therefore, the initial creation of such universe would be impossible to explain physically (M. F. Gulen, from his conference on “Evolution and reality”).

In his translation of the relevant verse, S. Yildirim has noted that God keeps the universe expanding and He will continue to do so. Yildirim attributes two meanings to the word musiun in the verse; the first is the owner of great power, strength and wealth; the second is one who expands. Thus, it should not be a surprise to learn that this verse is indeed describing a continually-expanding universe. This might further lead Muslims to think that the Creator has not left the universe unattended after the Big Bang, but rather it is He who has kept creating and expanding it.

In the 1920’s a discovery was made that completely changed our perception of space. It was discovered that distant stars depart from the solar system and leave us even more and more alone in dark space. Then, Fr. Georges-Henri Lemaître, a Belgian astrophysicist, mathematician, and Catholic priest, proposed the idea of the expanding universe. Despite its finite size, it was believed that the universe was expanding.

We can explain this fact simply by an analogy. Think of a toy balloon with spots on it. Mark one of those spots and inflate the balloon. As we inflate it, we observe that all other spots on the surface of the balloon move away from the marked one. So, if we replace the balloon with our universe, the spots will be the stars and planets. If the universe is expanding indeed, then we expect them to be moving away from each other. In other words, the distances between heavenly bodies must be increasing.

Unfortunately, we don’t have a gigantic ruler to measure such immense distances. However, there are other means, such as measuring wave frequencies. Consider the following analogy: Someone throws one ball every second toward a target. Assume that balls travel with constant velocity. If the thrower is stationary, the target will receive one ball every second. However, if the thrower is moving towards the target, it will receive balls more frequently because the balls will be less spaced out. The converse is true if the thrower is moving away from the target. So it is actually the wavelength which is affected; as a consequence, the perceived frequency is also affected. That is, the distances between the waves emitted by objects moving away from us (wavelength) must be increasing, so the frequency decreasing. Likewise, think of an ambulance siren coming towards you and going away from you. It is a good example showing that while an acoustic source that is approaching us emits a higher frequency, the same source radiates lower frequency when going away from us. In physics this is known as the Doppler effect.

Red shift

This phenomenon does not only occur with sound waves, but also with electromagnetic waves. When we think of the spectrum of light, violet at one end has the shortest wavelength and red at the other end has the longest wavelength of visible light. So, any wave of light shifting toward red means the source is moving away from us. It has been determined that the frequency of light emitted by the elements within distant stars shift to a lower frequency, which is called a red shift.

It is this shift that makes astrophysicists think that the universe is expanding. One mustn’t be confused by red shift. This terminology is just used to explain in what direction the frequency is actually shifting on the spectrum. Those signals captured from distant stars have a much smaller frequency (much higher wavelength) than that of red light and they are indeed in the microwave regime and shifting to even much smaller frequency radio waves.

In 2002, an article presenting new evidence of the accelerating expansion of the universe was published by the Royal Astronomical Society. It was not so long ago, only five years, that general opinion concurred with a decelerating expansion. However, the first evidence found by two astronomers in that year led us into a universe that expands in an accelerating fashion, contrary to previous views. This result was absolutely unexpected, because many scientists believed that expansion would slow down due to gravity. Another interesting fact is that if space were to cease expanding, this would be in contradiction to the above verse. God, however, by never allowing this to happen, shows how futile the actions of those who deny His verses are and how extensive His power is, as well as how purposefully He creates.

Dark energy

The groups who worked in the above study figured out, from the brightness of supernovas in distant galaxies, that the universe must expand more and more in the future due to a peculiar dark energy within it. The concept of dark energy was first postulated by Einstein, who named it the “cosmological constant.” However, since this did not fit in well with his theory of general relativity, he withdrew it and said that it was a scientific blunder. Since then, dark energy has had a rather controversial history.

A team of 27 astronomers, directed by Professor Efstathiou of Cambridge University, proposed strong evidence supporting the existence of dark matter, based on completely novel techniques. Their results, which were consistent with previous supernovas, showed that the universe is indeed full of dark matter. Professor Efstathiou thinks that the explanation of dark energy might include additional dimensions like creation (Big Bang) as well. Fr. Lemaître also proposed the expanding universe theory at an opportune time since Edwin Hubble would soon release his red shift observations that strongly supported an expanding universe and, consequently, the Big Bang theory. Here, the Big Bang is seen as the beginning of a continuous expansion.

The verse seems to tell us miraculously that the expansion of the universe will not cease, despite our limited knowledge of the physical reason for its acceleration.

The Hubble Telescope

Another article, published in Nature, presents us the first and deepest picture of space taken by the Hubble Space Telescope. This caused the astronomers to compete in solving the mysteries of the arts of God. The picture, also known as the Hubble Ultra Deep Field, was broadcasted and published in various programs and journals. It has not only shown us the farthest stars of the universe, but the youngest as well. It was very difficult to detect such weak light with the former technology. This picture reveals the embryonic universe, with an age of only 500 million years old. Estimated age of the universe is 13-14 billion years. Three physicists from American Natural History Museum in New York started a competition to publish an article on the Ultra Deep Field picture after the data was disclosed. They hope to answer many questions about the past and future universe. A group at the Stony Brook University, New York, directed by Kenneth Lanzetta, analysed the embryonic samples in the picture to try to discover when various galaxies had been born and how they had evolved. Two other groups are studying the motions of stars and galaxies, as the picture is a result of data collected over a month.

Having looked at the expansion of universe under the light of recent discoveries, now we turn our attention to two other arguments that could be relevant to expansion. Namely, ether (a substance which it is believed fills up the vast universe and which is the ultimate building block of the space), and the seven-layer-universe.

Despite the Michelson-Morley experiment, which argued against theory of luminiferous ether, the propagation of electric, light, or heat in space shows the existence of a substance through which they flow. The Michelson-Morley experiment is nothing more than just a test of the non-existence of certain qualities of ether. For example, in order to show the existence of photons, of which light is made up, we cannot go beyond showing the features of photons. In other words, depending on how we have defined its qualities, we can observe different aspects in the photon, ether, or anything else. In fact, even today, we don’t really know what a photon really is, although we observe its affects every day. In short, it is not possible to show the non-existence of phenomena that cannot be absolutely defined. Instead, we can only test the existence of the properties that we have defined and attributed to them, and thus we better understand their nature of existence in the context of those pre-defined qualities. Hence, the existence of ether is still controversial and needs more thorough research.

Seven layers

Regarding the seven-layer-universe, on the other hand, how is it possible for ether to manifest itself in seven heavens? It may be that these seven layers are not all posed above our heads, but rather that they may be found one with another. The universe is composed of many systems and networks that are the building blocks of their counterparts on larger scales. Each system is governed by laws, which differ slightly from one another. Inside the atom there exists a proton with its unique organization and in a proton we find quarks. For example, communication between protons and electrons is mediated by the electromagnetic force, while the quarks inside the protons communicate via the strong force. These interleaved circles show us that the universe is indeed composed of numerous layers.

We may use these layers for the metaphysical world as well. The human being is not only composed of matter, but also has a mind, a soul, and intelligence. Although these components are accepted as existing by all, their exact nature has not yet been explained by positive sciences.

It seems that the universe is composed of at least two different worlds: The material world (physical) and the immaterial (metaphysical) world. Are these two worlds completely separate, or do they have some features in common? In fact, the existence of humanity might prove to be this common set. But, it may also be true for the universe itself. Nursi states that the distant galaxies, stars and planets are not empty, but home to many spirits and angels who have their own consciences. Thus, one can say that despite the boundaries which separate these two worlds, such as different numbers of temporal and spatial dimensions, they constitute a whole, the Universe. The interaction between them will never fail as long as the universe exists.

The existence of two separate worlds is not that difficult to believe, but there is more:

It is He Who (prepared the earth for your life before He gave you life, and) created all that is in the world for you (in order to create you – the human species – and make the earth suitable for your life); then He directed (His Knowledge, Will, Power, and Favor) to the heaven, and formed it into seven heavens. He has full knowledge of everything. (Baqara 2:29)

The Qur’an calls the heaven where the sun, moon and stars are the lowest heaven or the heaven of the world (Mulk 67:5). The other six heavens may be the heavens of the worlds of the Hereafter.1 We are not sure whether this seven-layer heavens can only be attributed to the physical universe. It might be able to apply to the universe as a whole, with its all seen and unseen layers as well. Even the worlds of angels and spirits may be expanding in accordance with the laws therein, to show how the power and the wealth of God are comprehended in those worlds as well. Although our Earth is finite, the expansion may not be restricted to our finite world, but it may continue in infinite worlds as well.

It is possible that the space being filled with ether has an important role in paving the orbits of planets or stars, as well as other heavenly bodies. We believe that future studies on dark matter, ether, and string theory will help us to better understand the expansion process of the universe.

Note

1. What the Qur’an means by seven heavens has been interpreted in different ways. For further information see Unal, 2006, p. 19.

References

• Ünal, Ali, The Qur’an with Annotated Interpretation in Modern English, The Light, Inc., New Jersey: 2006.
• Monthly Notices of the Royal Astronomical Society, 330, 21 (2002).
• Nursi, S., The Words, The Light, Inc., Istanbul: 2005.

Although this industry had been an effective instrument for advertising and increasing political and social efficiency, the wide screen is being used for different purposes. In contrast with earlier films, which were dominated by guns, money, and status and also promoted authority, individualism, adventure-seeking, and atheism, the last 5 years have seen movies highlight something else: material gain should not be the ultimate purpose, the necessity of unity and cooperation, and life after death. This reflects the severely deteriorated structure of the American family and wondering how it can be restored.

Movies with social themes

Family themes. In The Kid (2000), Bruce Willis plays a workaholic who long ago forgot his past and family and refuses to see his father. Then one day his childhood appears before his eyes in the form of himself as a child. Thanks to this event, he makes peace with his past and gradually regains his lost values. This movie is one of many recent movies depicting weakened family ties: a lack of spousal love, children leaving home at earlier ages and forgetting their families, and elderly parents being left unprotected by their children.

In The Family Man (2000), Nicholas Cage is a passionate businessman desperate to achieve as high a status as possible. He does not know that real pleasure can be found in a lovely wife and children. One day, he wakes up and finds himself married with two children. As fictitious as it is, he cannot realize how his life changed all of a sudden, but later realizes real happiness with his new family. The first thing he does after this so-close-to-real dream is to search for the woman he is going to marry.

American Beauty, which won the Oscar in 1999, made its way through many other big-budget movies. Spousal mistrust and the widening generation gap were the main topic in this movie, and the fact it won The Best Picture award shows the importance given to the concept of family.

Life after death themes. Life after death also has been a popular theme. The Sixth Sense (1990), a nominee for The Best Picture award in 1999, features a child who sees dead people walking around like regular people. They have an explicit message: The universe is more than what we can perceive through our five senses. In Ghost (1990), Patrick Swayze is a dead person whose soul is still in touch with this world and his beloved wife, whom he tries to protect from danger. What Dreams May Come (1998) takes Robin Williams into Heaven and Hell so he can meet his wife and children again. Gladiator (2000), awarded five Oscars including The Best Picture award, is the story of the Maximus, commander-in-chief of the Roman army, who is willing to leave behind status and fame so that he can reunite with his family for happiness. He is an invincible ” but praying ” commander, who teaches his soldiers about what comes after death, and tragically reaches his family at the end.

Angels and the Devil. Angels and the Devil also are frequent topics. City of Angels (1998) is a good example. Meg Ryan is a person who can exercise free will, taste worldly pleasures, and is expected to know God, whereas Nicholas Cage is an angel who lives in a different dimension and has none of these abilities. Likewise, Brad Pitt portrays the angel of death in Meet Joe Black (1998) and shows us a fictional perspective through an angel’s eyes.

In the digitally remastered and remixed version of The Exorcist (2000), a family tries to reclaim their possessed teenage daughter through every possible medical treatment. In the end, however, two priests are called to exorcise the demon. In The Devil’s Advocate (1997), Al Pacino portrays the Devil, who seeks to control people with lust, status, and money. Keanu Reeves portrays a very successful lawyer who has never lost a trial. He finds himself in a struggle between the Devil’s intrigues and his human virtues.

In End of Days (1999), Arnold Schwarzenegger is an ex-cop who believes in the brute power of muscles and weapons. However, he comes to realize that conventional methods of combat do not work on Beelzebub (the Devil), and so has to devise other solutions. Throwing away his machine gun, he kneels at the altar and prays for help.

Destiny. Destiny is another hot topic. Destiny is a significant part of the belief that keeps societies up and strong. Such a belief lets us know that everything comes from God, which gives us the strength to bear life’s difficulties. Almost 100 years ago, speculation that a comet might hit Earth scared many people who did not believe in destiny. Final Destination is about a group of young people who attempt, but fail, to challenge the destiny that is chasing them. The Green Mile and Fight Club are also good examples for movies with metaphysical content that show that life is not all that we can see.

Religion. Christianity is being questioned in Hollywood movies. In Stigmata (1999), during the 1940s some scripts ” supposedly the original New Testament scriptures from Jesus’ time ” written in ancient Aramaic on leather pieces are found rolled in several jars. They are sent to Rome, after which nothing is heard about them. In the meantime, Frankie, a young girl in her twenties, is attacked brutally by an unseen assailant. She consults doctors and psychiatrists, but nobody can help her. The only man who can help is Andrew Kiernan (Gabriel Byrne), an investigator sent by the Vatican to stop demons from taking over her life.

Bless the Child (2000) tells about a child with supernatural powers. Her evil occultist mom and stepfather want to take her back from her aunt who raised her. The girl talks with her stepfather just like Jesus talked with the Devil, as recorded in the Bible. Her aunt tries to save her from a Biblical prophecy, and in the end angels help them out. In Dracula (2000), people realize that they can defeat Dracula’s supernatural powers only by seeking help from God.

Hollywood also has become interested in other religions. Several movies have been made about Buddhist Tibet and the Dalai Lama. Islam, despite its close and popular association with terrorism in the minds of many, has appeared in a few movies with some positive images. For example, Antonio Banderas played a Muslim envoy (Ahmad Ibn Fadlan) from Amawis in the 13th Warrior (1999), who was an educated and refined person. In Robin Hood (1991), during the Fourth Crusade Kevin Costner brought with him back to England a scholarly Muslim who was admired by the English because he could use binoculars and gunpowder.

Conclusion

These movies inspire us with a promising future, as materialism appears to be less popular and people are interested in searching for the soul, the Hereafter, brotherhood and sisterhood, peace, and love. We can only hope that this trend will continue.

References

• www.hollywood.com
• www.movies.go.com

The movie makers probably did not intend to make killing look attractive. But was it the final effect anyways? Do movies depicting indecent acts fail to show the consequences sufficiently? What can society do about this trend? These and similar questions have been asked and debated for decades. Below, we analyze a time in Hollywood when the concentrated efforts of concerned individuals and organizations had a significant positive impact on forcing the movie industry to move toward self-regulation.

The Beginning of the Movie Industry

Movies rose as a new form of entertainment at the turn of twentieth century. By the 1920s, 40 million Americans were watching them each week. After winning the right to vote in 1920, flapper girls were exercising their new-found freedom, Harlem nightclubs flourished with whites with an interest in African American culture, and the number of gangs selling liquor during Prohibition increased. Movie producers displayed these value changes in their films to attract more young people. This started the big fight between America’s moral guardians and the movie makers.

Hollywood scandals in the early 1920s accelerated the demand for movie censorship. In 1921, the famous comedian Fatty Arbuckle was accused of raping and murdering a young actress; director William Desmond Taylor was found murdered, and a series of front page stories revealed his drug use and sex life; actor Wallace Reid died of a drug overdose; and America’s “sweetheart,” Mary Pickford, got a quick divorce to marry Douglas Fairbanks.

The motion picture business had become an industry. Film companies seeking to integrate production, distribution, and exhibition had one formula in mind: expansion meant capital, capital meant Wall Street, and Wall Street meant conservative business practices. They could not afford any scandals or federal investigations of Hollywood.

The Pressure for Codes Builds

Leff and Simmons write: “In 1921 alone, solons in thirty-seven states introduced nearly one hundred bills designed to censor motion pictures. Women could not smoke on screen in Kansas but could in Ohio; a pregnant woman could not appear on screen in Pennsylvania but could in New York. Six censorship states, which controlled over thirty percent of the theater seats in America, condemned illegitimacy and sexual deviance.”(1) State censors recut films after the producers, and the outcome was unfavorable. Local exhibitors were tired of the cost of censor cuts and attacks by the public and the media. In January 1922, the movie company presidents formed a trade association, the Motion Picture Producers and Distributers of America (MPPDA). Postmaster General Will Hays, an ex-Republican national chairman with White House connections, was chosen as their head. He was a great success as a spokesperson, but failed as a censor regulator of movie content.

Under Hays, Hollywood instituted a morals clause that, as part of the standard employment contract, regulated performers’ off-screen lives: “The artist agrees to conduct himself with due regard to public conventions and morals and agrees that he will not do or commit any act or thing that will tend to degrade him in society or bring him into public hatred, contempt, scorn or ridicule, or that will tend to shock, insult or offend the community or ridicule public morals or decency or prejudice the producer or the motion picture industry in general.”(2) Furious with such self-regulation and restraints, many ignored the contract, and so the scandals continued.

A mainly Protestant anti-movie lobby grew larger and more threatening in the mid-1920s. The Women’s Christian Temperance Union (WCTU), the Reverand William H. Short’s Motion Picture Research Council, and Canon William Shaefe Chase’s Federal Motion Picture Council, among others, all lobbied for federal action. Supporters of cencorship bills claimed that movies were immoral, vile, and corrupting young people. With the advent of —talking— films, the moral guardians of America faced a bigger threat: movies were more popular and dialogue challenged public norms. According to Black: —In 1928 the New York State censorship board cut over 4,000 scenes from more than 600 films submitted, and Chicago censors sliced more than 600 scenes.—(3) Martin Quigley, owner and publisher of the industry trade journal Exhibitors Herald-World, initiated in 1929 the first attempt by Catholics to influence the film industry. Believing that government censorship was futile, he began thinking of a code that would include rules, regulations, and philosophy. Father FitzGeorge Dinneen, Chicago censor board advisor, sent him to Father Daniel Lord, a St. Louis University professor who could write the document. The resulting production code had three working principles:

• No picture should lower the moral standards of those who see it.

• Law, natural or divine, must not belittled, ridiculed, nor must a sentiment be created against it.

• As far as possible, life should not be misrepresented, at least not in such a way as to place in the mind of youth false values of life.(4)

The production code termed movies entertainment, and those who made them were obligated to produce —correct entertainment— for mass audiences. Movies had a profound impact on the —bodies and souls of human beings,— and could —affect spiritual and moral progress.— Hays saw the code in early 1930. He later wrote: —My eyes nearly popped out when I read it. This was the very thing I had been looking for.—(5) The code announced specific limitations on language and behavior. Lots of offensive words and phrases were banned, and the ridicule of religion, nudity, evocative dances, depiction of illegal drug use, and scenes of childbirth were prohibited. The code was explicit when it came to on-screen crime and sex:

I. Crimes against the Law

These shall never be presented in such a way as to throw sympathy with the crime as against law and justice or to inspire others with a desire for imitation.

1. Murder

1. The technique of murder must be presented in a way that will not inspire imitation
2.  Brutal killings are not to be presented in detail c. Revenge in modern times shall not be justified

2. Methods of crime should not be explicitly presented

1. Theft, robbery, safe cracking, and dynamiting of trains, mines, buildings, etc., should not be detailed in method
2. Arson must be subject to the same safeguards
3. The use of firearms should be restricted to essentials d. Methods of smuggling should not be presented

3. Illegal drug traffic must never be presented a. The use of liquor in American life, when not required by the plot or for proper characterization, will not be shown.

II. Sex

The sanctity of the institution of marriage and the home shall be upheld. Pictures shall not interfere that low forms of sex relationship are the accepted or common thing. 1. Adultery, sometimes necessary plot material, must not be explicitly treated, or justified, or presented attractively. 2. Scenes of Passion a. They should not be introduced when not essential to the plot. b. Excessive and lustful kissing, lustful embraces, suggestive postures and gestures, are not to be shown. c. In general passion should so be treated that these scenes do not simulate the lower and baser element.(6) Interestingly, the above principles set forth by a Catholic scholar were in perfect accord with the moral codes of Islam, another Abrahamic religion that prohibits the vivid depiction of actions not approved by God.(7) By the beginning of the Depression, film studios turned increasingly to themes of sex and violence to attract audiences. Finally, Hays used the resulting public reaction to persuade the studios that enforcing the code would be the most secure and economical answer to their troubles. If the movie industry regulated itself, it could prevent likely government intervention. The film companies were in debt, having spent a lot of money to introduce sound, and many had lost money in the stock market crash of 1929. Desperate to cut costs, they decided to avoid paying to revise the film after the censorship boards made their edits, by following the code before making their movies. The code was adopted in 1930.

Joe Breen Gets Involved

During 1930-34, movie producers ignored and openly mocked the code. The pressure continued from the Catholic Church with the support from Jewish and Protestant leaders. In 1934 Joe Breen, a strict Catholic moralist working as a public relations man for the production code in Hay’s office, was hired to run Hollywood’s Production Code Administration (PCA). Breen brought new standards: —The PCA had the authority to review all movies and demand script changes. Any theater that ran a film without the PCA seal of approval would be fined $25,000.—(8) Finally the Code had some power. Studios accepted it and produced films that met Breen’s standards. Largely because of his efforts to get the code implemented, it has become known as Breen’s Code. It lasted for more than two decades, being officially abandoned only in 1968. Breen’s Code is a perfect example of people affecting the behavior of institutions whose motives may not match the best interests of the people they serve. By expressing their dissatisfaction and organizing to pressure the motion picture industry, Americans managed to change the nature of the movie industry’s products toward higher moral standards held in common by most monotheistic religions. As we go into the twenty-first century, there are many areas in which people of faith can work together to make a positive change in their societies and the world

Footnotes

1. Six states: Pennsylvania, Ohio, Florida, New York, Maryland, Kansas, and Virginia. Leonard J. Leff, and Jerold L. Simmons, The Dame in the Kimono (New York: Grove Weidenfeld, 1990), 4.
2. Ibid., 5.
3. Gregory D. Black, Hollywood Censored (New York: Cambridge University Press, 1994), 34.
4. Leff and Simmons, The Dame in the Kimono, 284-85.
5. Black, Hollywood Censored, 40.
6. Leff and Simmons, The Dame in the Kimono, 284-85.
7. Bukhari, —The Prophets,— No. 8.
8. http://www.pbs.org/wgbh/cultureshock/beyond/hollywood.html.

Additional References

• O’Connor, John E. and Jackson, Martin A. (eds.). American History/American Film.
• New York: Frederick Ungar Publishing Co., 1979. Walsh, Frank. Sin and Censorship. New Haven: Yale University Press, 1996.