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	<title>watch &#8211; Fountain Magazine</title>
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		<title>Piracy</title>
		<link>https://fountainmagazine.com/all-issues/2014/issue-101-september-october-2014/piracy-september-2014/</link>
		
		<dc:creator><![CDATA[Louima Cunningham]]></dc:creator>
		<pubDate>Mon, 01 Sep 2014 00:00:00 +0000</pubDate>
				<category><![CDATA[Issue 101 (September - October 2014)]]></category>
		<category><![CDATA[act]]></category>
		<category><![CDATA[benefit]]></category>
		<category><![CDATA[benefits]]></category>
		<category><![CDATA[cost]]></category>
		<category><![CDATA[Culture & Society]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[entertainment]]></category>
		<category><![CDATA[free]]></category>
		<category><![CDATA[game]]></category>
		<category><![CDATA[individual]]></category>
		<category><![CDATA[loss]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[pay]]></category>
		<category><![CDATA[piracy]]></category>
		<category><![CDATA[pirate]]></category>
		<category><![CDATA[producer]]></category>
		<category><![CDATA[property]]></category>
		<category><![CDATA[proun]]></category>
		<category><![CDATA[revenue]]></category>
		<category><![CDATA[watch]]></category>
		<guid isPermaLink="false">http://107.21.79.195/all-issues/2014/issue-101-september-october-2014/piracy-september-2014/</guid>

					<description><![CDATA[Piracy, or the illegal downloading of digital media, came to the forefront of web politics in January 2012 as the United States Congress debated two bills, SOPA (Stop Online Piracy Act) and the Protect IP Act. Both bills attempted to inhibit the illegal acquisition and use of entertainment media like video games, music, and movies. [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Piracy, or the illegal downloading of digital media, came to the forefront of web politics in January 2012 as the United States Congress debated two bills, SOPA (Stop Online Piracy Act) and the Protect IP Act. Both bills attempted to inhibit the illegal acquisition and use of entertainment media like video games, music, and movies. Many viewed the two bills as an invasion of online free speech, as well as an increase in government power due to the broad scope of the legislations, leading to massive online protests by Wikipedia, Google, Reddit, and other websites on January 18th, 2012. Following the protests, President Barack Obama announced that he would not support the current versions of the bills due to their broad scope, and Congress indefinitely postponed debate of the legislation. As society, businesses, and governments attempt to address piracy, it is important to understand why people pirate software.</p>
<p><span id="more-1693"></span></p>
<h3>Cost-benefit analysis of piracy</h3>
<p>To begin, I want to analyze piracy free from any ethical or normative judgments. Piracy is an act, and like any other act, it has costs and benefits. A utility calculation or a cost-benefit analysis shows that the material benefits far outweigh the minimal material costs of piracy. Entertainment media usually has a monetary price that must be paid in order to consume it, like buying tickets to watch a movie at the theater. On the other hand, given that the individual possesses the technical knowledge, the individual can receive the same entertainment for free if he chooses to pirate the media instead of buying it. While some individuals who pirate are caught and do pay fees, the probability of these negative consequences are very small. Given no other external factors, this cost-benefit analysis indicates that the materialistic benefits outweigh the materialistic costs.</p>
<p>Additionally, from a behavioral perspective, piracy makes sense. When a person commits piracy, they are immediately presented with the benefit of entertainment or utility. The behavior is immediately rewarded and reinforced. The costs are not immediately evident, and can be easily overlooked, because the probability of being caught and punished for pirating is very small. In contrast to the act of physically stealing the DVD of a movie, the act of illegally downloading the movie is much less risky and only entails the seemingly innocent pressing of buttons. When contemplating whether to physically steal another DVD of a movie, the person would weigh whether the entertainment benefit is really worth suffering the stress and energy as well as the high risk of being caught and punished by the law. When contemplating whether to illegally download a movie, the person would only need to weigh whether the entertainment benefit is greater than pressing some buttons. With such low risks and such immediate gratification, the behavior of piracy is easily engrained.</p>
<p>This cost-benefit analysis in a vacuum free from any external forces like ethics, morality, and religion sufficiently shows why piracy is so prevalent. It is easy and rewarding. However, people do not live in a vacuum.</p>
<h3>The ethical factor</h3>
<p>If piracy is theft, then it is unethical, immoral, and wrong. And it is indeed theft. All digital media whether film, music, ebooks, or games are products of another&#8217;s hard work. Just like a farmer&#8217;s crops or an author&#8217;s book, digital media would not exist but for the producer. Thus, similarly, the producer has taken ownership of digital media by production. Modern copyright and digital rights laws are evidence of this societal norm. So, if it is wrong, why do some people pirate digital media anyway?</p>
<p>When a person is given the choice between paying for the entertainment and consuming it for free, ethical principles clash with desire. In order to resolve cognitive dissonance, the discomfort caused by the clash of conflicting inner-beliefs, individuals will attempt to justify their actions and alter their beliefs (1). In the case of piracy, an individual might conclude that the producers of the entertainment media are already wealthy and do not need more money. Alternatively, the individual may decide that his financial circumstances do not allow him to pay for the products, forcing him to illegally obtain them. Ultimately, these justifications allow the individual to live more comfortably with their decision to pirate the product.</p>
<h3>Justifying piracy</h3>
<p>In addition to common justifications for any other ethical violations, piracy has a unique justification due to the unique nature of digital media. This unique justification is that the illegal downloading of digital media does not harm the producer, because it does not represent a loss of revenue for the producer of the game, movie, or song. Given the digital nature of entertainment media, a pirated copy of a game does not directly mean a loss of revenue equal to the price of the game. For example, when an item in the physical world, such as a watch, is stolen from a store, the store loses money that is equal to the sum of the cost of the watch and the profit from the sale of the watch. If the thief had not stolen the watch, the store could have sold it to someone else. In contrast, when an individual obtains a pirated copy of a digital media, the ability of the producer to sell a copy of the digital media to someone else is not inhibited in anyway. In other words, the benefits or entertainment experienced by the individual who chooses to pirate does not result in a loss for the producer. Those who have this justification would then conclude that piracy only has positive consequences.</p>
<p>This justification, unique to digital products, has two main deficiencies. First, piracy can lead to loss of revenue to the producer if a person who would have otherwise purchased the product chooses to pirate it. Aggregating all the individual acts of piracy can lead to a cumulative loss of revenue of many millions of dollars. Second, loss of revenue is not the only reason piracy is immoral. The primary reason why piracy is unethical is because it constitutes a taking of another property, violating another&#8217;s fundamental property rights. If a producer chooses to share its property with only those who pay for it, then the taking of that property without paying for it is a violation of fundamental property rights. An independent showing of damage or loss of revenue is not necessary to prove its wrongness.</p>
<h3>Habit</h3>
<p>Another possible explanation for the prevalence of piracy is habit. Once an individual has committed piracy, despite ethical prescriptive to the contrary, the individual experiences the benefits and joys of that piece of entertainment. As previously mentioned, this immediate reward can lead to a cycle that constantly reinforces the behavior until it has become habitual. The case study of the video game, Proun, can provide some insight.</p>
<p>Proun, a low budget game, was released under the pay-what-you-want pricing method which allows consumers to legally obtain the product at whatever price they decide to pay including for zero dollars. In other words, people could legally get the game for free from the developer&#8217;s official website. Essentially, the developer removed monetary concerns from the utility calculation. According to the released statistics, approximately 40% of used copies were pirated (2). Individuals chose to pirate the game, despite being able to obtain the game legally for free.</p>
<p>The implication of the Proun case study is that price may not be the sole determinant for pirating behavior. A possible explanation for the observed pirating behavior could be that obtaining entertainment media through illegal means has become habitual to a significant portion of the population. Due to the low risks associated with piracy, individuals who have chosen to pirate media experience no consequences that would deter their actions, making piracy their normal means of acquiring any form of software, irrelevant of whether or not the software is free. In other words, habitual piracy has become legitimate in their eyes. After the initial act, the individual no longer considers the ethicality of their actions. Every subsequent act merely reinforces the habit.</p>
<h3>References</h3>
<ol>
<li>See also Yerli, Selnur Hatice. &#8220;Cognitive Dissonance and the Psychology of Sin.&#8221; The Fountain 80, March-April 2011.</li>
<li>van Dongen, Joost. &#8220;Proun sales data revealed: Proun is a big success! Pay What You Want is not!.&#8221; &lt;<a href="http://joostdevblog.blogspot.com/2011/10/proun-is-big-success-pay-what-you-want.html">http://joostdevblog.blogspot.com/2011/10/proun-is-big-success-pay-what-you-want.html</a>&gt;</li>
</ol>
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		<title>Bustling Willpower</title>
		<link>https://fountainmagazine.com/all-issues/2012/issue-85-january-february-2012/bustling-willpower/</link>
		
		<dc:creator><![CDATA[Louima Cunningham]]></dc:creator>
		<pubDate>Sun, 01 Jan 2012 00:00:00 +0000</pubDate>
				<category><![CDATA[Issue 85 (January - February 2012)]]></category>
		<category><![CDATA[behold]]></category>
		<category><![CDATA[blows]]></category>
		<category><![CDATA[bustling]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[glimpse]]></category>
		<category><![CDATA[good]]></category>
		<category><![CDATA[grief]]></category>
		<category><![CDATA[heads]]></category>
		<category><![CDATA[holy]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[Literature & Languages]]></category>
		<category><![CDATA[mountains]]></category>
		<category><![CDATA[phenomenaas]]></category>
		<category><![CDATA[poem]]></category>
		<category><![CDATA[put]]></category>
		<category><![CDATA[sage]]></category>
		<category><![CDATA[sides]]></category>
		<category><![CDATA[sun]]></category>
		<category><![CDATA[times]]></category>
		<category><![CDATA[watch]]></category>
		<category><![CDATA[whirling]]></category>
		<category><![CDATA[willpower]]></category>
		<guid isPermaLink="false">http://107.21.79.195/all-issues/2012/issue-85-january-february-2012/bustling-willpower/</guid>

					<description><![CDATA[Fate sometimes blows As gently as breezes;At other times it blows as toughAs raging northeastersRendering huge mountains to dust,Rendering feet to heads Razing heads to the ground.Sometimes caressing woeful bosomsAt other times dusting grief over merry faces A mysterious programFar beyond our reasoning, The ones open to mysteries Never fall on their knees.Do have the [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Fate sometimes blows <br />As gently as breezes;<br />At other times it blows as tough<br />As raging northeasters<br />Rendering huge mountains to dust,<br />Rendering feet to heads <br />Razing heads to the ground.<br />Sometimes caressing woeful bosoms<br />At other times dusting grief over merry faces</p>
<p>A mysterious program<br />Far beyond our reasoning, <br />The ones open to mysteries <br />Never fall on their knees.<br />Do have the faith, then, <br />Never be felled by confusion!</p>
<p>Close not your eyes to the beauty<br />Do not be stuck in the ugly!<br />Behold Him as mountains do the sun!<br />Watch ever for His Holy Light,<br />Put the darkness aside!</p>
<p>Keep whirling within the phenomena<br />As the sage do!<br />Glimpse the good sides of both<br />pleasure and grief</p>
<p>Relinquish gloom and worry<br />If your willpower is bustling<br />Become the spring of hope for all, <br />If you can!</p>
<p>Till the seekers of a tranquil corner<br />Shall run to you;<br />And those joining your aura<br />Shall overflow with fervent happiness.</p>
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		<title>Thinking</title>
		<link>https://fountainmagazine.com/all-issues/2011/issue-80-march-april-2011/thinking/</link>
		
		<dc:creator><![CDATA[Louima Cunningham]]></dc:creator>
		<pubDate>Tue, 01 Mar 2011 00:00:00 +0000</pubDate>
				<category><![CDATA[Issue 80 (March - April 2011)]]></category>
		<category><![CDATA[A Moment for Reflection]]></category>
		<category><![CDATA[beach]]></category>
		<category><![CDATA[bounty]]></category>
		<category><![CDATA[command]]></category>
		<category><![CDATA[depends]]></category>
		<category><![CDATA[gift]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[making]]></category>
		<category><![CDATA[people]]></category>
		<category><![CDATA[perspective]]></category>
		<category><![CDATA[return]]></category>
		<category><![CDATA[run]]></category>
		<category><![CDATA[rush]]></category>
		<category><![CDATA[sea]]></category>
		<category><![CDATA[seek]]></category>
		<category><![CDATA[service]]></category>
		<category><![CDATA[ships]]></category>
		<category><![CDATA[subservient]]></category>
		<category><![CDATA[thinking]]></category>
		<category><![CDATA[watch]]></category>
		<category><![CDATA[waves]]></category>
		<guid isPermaLink="false">http://107.21.79.195/all-issues/2011/issue-80-march-april-2011/thinking/</guid>

					<description><![CDATA[I was sitting by the beach and thinking about anything, everything, yet nothing all at once… The waves were in such a rush, like all the bustling people in the city. Maybe if you rush you will get more done: that is their theory. Ours is: how much we comprehend life. Life is a gift [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>I was sitting by the beach and thinking about anything, everything, yet nothing all at once…</p>
<p>The waves were in such a rush, like all the bustling people in the city.</p>
<p>Maybe if you rush you will get more done: that is their theory.</p>
<p>Ours is: how much we comprehend life.</p>
<p>Life is a gift given to you only once. Peacefully, take your time.</p>
<p>Maybe there is a norm.</p>
<p>Life should be rushed at some points and slowed at other times.</p>
<p>I guess it depends on your perspective of things,</p>
<p>Kind of like a movie “On Demand” when you think about it…</p>
<p>Some people like to watch the whole thing through once.</p>
<p>Others fast forward at some sections.</p>
<p>Some speed up at the scary parts, or the kissing scene.</p>
<p>Sometimes they rewind and analyze what the actor was trying to articulate.</p>
<p>It all depends on your perspective.</p>
<p>Life is one thing for sure though: too precious to waste.</p>
<p>If one wants to accomplish anything in life, he or she first must think.</p>
<p>You may think about why you are here, what the things around you represent, how you got here. You may question life. It’s one of the habitual things we should do.</p>
<p>You sit there, watch the waves rolling in, moving the sand at the beach, look over the horizon, and think…</p>
<p><em>God it is Who has made the sea to be of service to you by making it subservient (to His command), so that the ships may run through it by His command, and that you may seek of His bounty, and that (in return) you may be thankful. He has also made of service to you whatever is in the heavens and whatever is on the earth; all is from Him (a gift of His Grace). Surely in this there are (clear) signs for a people who think deeply.</em></p>
<p>(Qur’an 45:12–13)</p>
<p>Ceyda Sablak is a high school senior who has yet many dreams to pursue in the life that waits for her&#8230;</p>
<p> </p>
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		<title>The Pride of Humanity in a Scenario</title>
		<link>https://fountainmagazine.com/all-issues/2003/issue-44-october-december-2003/the-pride-of-humanity-in-a-scenario/</link>
		
		<dc:creator><![CDATA[Louima Cunningham]]></dc:creator>
		<pubDate>Wed, 01 Oct 2003 00:00:00 +0000</pubDate>
				<category><![CDATA[Issue 44 (October - December 2003)]]></category>
		<category><![CDATA[abu]]></category>
		<category><![CDATA[Culture & Society]]></category>
		<category><![CDATA[eyes]]></category>
		<category><![CDATA[fill]]></category>
		<category><![CDATA[humanity]]></category>
		<category><![CDATA[ibn]]></category>
		<category><![CDATA[islam]]></category>
		<category><![CDATA[makka]]></category>
		<category><![CDATA[makkan]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[muslims]]></category>
		<category><![CDATA[people]]></category>
		<category><![CDATA[polytheists]]></category>
		<category><![CDATA[prophet]]></category>
		<category><![CDATA[scene]]></category>
		<category><![CDATA[scenes]]></category>
		<category><![CDATA[time]]></category>
		<category><![CDATA[times]]></category>
		<category><![CDATA[watch]]></category>
		<category><![CDATA[witness]]></category>
		<guid isPermaLink="false">http://107.21.79.195/all-issues/2003/issue-44-october-december-2003/the-pride-of-humanity-in-a-scenario/</guid>

					<description><![CDATA[There are movies you watch, movies you live and which make you live, and there are movies condemned to fade away and be forgotten before they even pass out of the phase of being a mere idea or scenario. Some are ignored because of their shallow plot and their failure to reflect human values; others [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>There are movies you watch, movies you live and which make you live, and there are movies condemned to fade away and be forgotten before they even pass out of the phase of being a mere idea or scenario. Some are ignored because of their shallow plot and their failure to reflect human values; others are popular for a while, but then end up in dusty archive rooms, because of their artificial and ephemeral themes. And then along comes a movie that touches you, teaches you a lesson, and makes you associate spiritually with its characters.</p>
<p>Of course you have been watching movies for years. Maybe you have subscribed to various cable or satellite channels so that you can watch even more movies. So, how many of them had the qualities mentioned above? How many of them, produced with enormous budgets and large casts and over-promoted, can you watch without finally becoming bored ? How many of them can fill you with indescribable emotions and make you resolve to follow in the footsteps of those characters?</p>
<p>One such movie is the masterpiece The Message. How many times have you seen it? I am sure that some of you have watched it ten, fifteen, or even more times. This would not surprise me at all, for we do not get weary of reading the Qur’an, which God revealed to humanity as the source of guidance and peace. Likewise, the lives and struggles of those who tried to live according to the Quranic teachings do not tire us. On the contrary, The Message refreshes your spirit each time you watch it.</p>
<p>There are two versions of this movie. The Message, directed by Moustapha Akhad and produced in the U.S., attracted attention due to the participation of some famous actors and actresses, among them Anthony Quinn, who “lives” the role he plays, Hamza, the Prophet’s uncle. Irene Papas, who played Abu Sufyan’s wife Hind, made this woman a prominent character, although historically Hind did not have an important part in the story.</p>
<p>The other film, the Arab made al-Risala, which has almost the same scenario, was watched mostly in Arab countries. Its most distinguishing feature is that the Qur’anic verses are recited in their original form (instead of in translation). This movie did not attract as much attention, because there were no movie stars in the leading roles. Nevertheless, the characters are portrayed quite successfully.</p>
<p>In both movies, Prophet Muhammad (pbuh) is not shown. Rather, he is symbolized through the staff he carries, the camel he rides, or the people who talk with him. Both scenarios begin by depicting the “Era of Ignorance” period in Arabia. Makka’s social structure and its culture are shown in some detail: the prevailing tyranny and injustice, the hundreds of deities being worshipped and the sacrifices offered to them, the annual fairs, and other activities are presented. This was the milieu into which the Prophet was born. His world was one in which poetry and rhetoric was favored, women and slaves were not regarded as human, where might was right, and where thousands of people died in blood feuds. In short, there was no one to stand up as a living monument of faith or courage or to speak up for the truth.</p>
<p>We read about the Prophet’s life or learn about it from the people around us. But how many times have we contemplated his struggles and difficulties in order to understand him better? These works fulfill an important duty in terms of informing those who do not have the time for such contemplation about the lives of these ascetic people, by taking them to the Makka of that time.</p>
<p>The revelation’s beginning is portrayed by reciting the first verses in the darkness of the Hira cave. First, the Prophet invites those who are close to him to Islam. Everything is done in great secrecy. The setting is the house of Ibn Arqam (where the early Muslims gathered) and the new converts devote themselves to this cause there. When there are 40 of them, the period of public preaching begins. Then we see another touching scene: the Muslim community is walking toward the Ka’ba with the Messenger in the middle. They are met with stones, spittle, clubs, and insults. One of the most spectacular scenes is close at hand: Hamza, whom the Messenger later nicknamed “the lion of God,” rescues these people, who could have been killed on the spot due to the provocations of Abu Jahl. He rides through the crowd and, to everyone’s surprise, dismounts and hits Abu Jahl with his bow. As a result of beginning to preach in public, the poor and weak Muslims are subjected to violence at the hands of the Makkan polytheists. The audience sees Bilal and Ammar ibn Yasar being tormented and tortured.</p>
<p>One of the most emotive scenes is the discussion held before King Negus between the first Muslims and the Makkan polytheists who followed them there. The Prophet, describing Negus as a just ruler, told the persecuted Muslims to take refuge in his land. So, Amr ibn al- ‘As, at that time a polytheist, was sent to bring them back and was given many gifts to bestow upon Negus. The king listens to their conversation for a long time, and for a moment thinks about handing them over, but decides to protect them after Ja‘far ibn Abu Talib recites the Quranic verses about Mary. These scenes are significant in that they show how the Christians of that time and area viewed Islam.</p>
<p>After a while, the Prophet and many Muslims emigrate to Madina. Another well-known scene is when the Messenger and Abu Bakr enter Madina. When the people, who have been waiting for days on the rooftops and in the trees, begin singing the hymn Talaal Badru to welcome him enthusiastically, a scene is created to touch the heart of all that witness it. And Madina’s Muslims, who beg the Makkan immigrants to stay with them, as well as the heartfelt embraces that are the product of the affiliation felt between the two groups, fill our hearts with emotion and our eyes with longed-for sights.</p>
<p>The following scenes depict the wars between the Muslims and the polytheists. Both movies give a detailed depiction of the battles of Badr and Uhud. The war tactics practiced around the wells of Badr and Mount Uhud are presented as comprehensively as possible. The peace of Hudaybiyah is pictured, but not focused on much. After the polytheists break the treaty, the Muslims, now more powerful than before, led by the Messenger and his followers, march upon Makka. Campfires are lit around Makka to intimidate the polytheists, Abu Sufyan tries to make peace and then coverts to Islam, we see the Prophet’s entrance to the city and witness him heading toward the Ka’ba…</p>
<p>Here come the scenes that fill you with emotion and move you so much. The Makkan exiles are once again walking along the streets of their hometown. Some embrace their relatives, kiss the ground, or similar actions. But the Prophet, who missed God’s House more than anything else, enters the Ka’ba … and we go inside with him. He uses his staff to topple the idols that have darkened the soul of humanity one by one, for they are nothing but stones and wood. We become so absorbed that, for a moment, we forget that we are watching a movie and wish that the camera would move a little so that we could see his blessed hand holding the staff, as well as his holy face. Bilal stands upon the Kab‘a’s roof and calls the faithful to prayer, just as the Prophet has told him to do. This call rings out in Makka … bliss fills the hearts, tears fill the eyes.</p>
<p>Then comes the final scene: the Farewell Sermon. One hundred thousand people fill the Uranah valley of Mount Arafat, and all eyes and ears turn upon him. At the end of this sermon, after he hears his community bear witness that he has fulfilled his duty, he says: “O God, Bear witness!” three times.</p>
<p>We see three blessed riders in the desert, representing the thousands of companions who went out into the world to invite people to Islam. After a certain point they separate, saying farewell to each other. Perhaps never to return, they are setting off for lands that are completely unknown to them in order to obey the Messenger’s command to tell others about Islam. Then the calls to prayer begin, one after another, recited in different tones, from mosques of different architectural styles, located in different lands.</p>
<p>This is how the movie ends , but you just keep sitting in front of the screen for a while. Though your eyes are still on the screen, fixed absently, your mind is there, far away in the deserts of Madina, thinking about the exalted guide who reminded people of their humanity, about the world which had been oblivious of humanity. Your soul is striving to follow on his path, and you leave your seat in a completely different mood.</p>
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